When Peggy Noonan, who was one of President Ronald Reagan’s speechwriters, writes in The Wall Street Journal, that Taylor Swift should be Time magazine’s Person of the Year, you know that Swift has captured the zeitgeist.
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A gaze of their own: women rethinking art history
In the late-20th and early-21st centuries, an age of cultural appropriation that has seen minorities adapt and reinvent the masterpieces of Western civilization, women artists have reasserted the so-called “female gaze,” not only by creating wholly original works but by reclaiming the art historical canon, either interpolating themselves and women arts leaders into iterations of great paintings or imagining men from a woman’s perspective.
A new exhibit at the Lehman College Art Gallery explores this subject through the prism of 19th-century French art.
Read MoreTo live and die in L..A. -- Greta Gerwig's 'Barbie'
“Barbie” — the billion-dollar blockbuster that has fashion and interior designers thinking pink and movie theaters seeing green (as in dollars) — is a rather deceptive movie. It starts out as a kind of beach blanket battle-of-the-sexes rom-com that quickly builds into a poignant dramedy of what it means not to be a woman or a man but human.
Read MoreMore adventures in publishing -- upcoming appearances and awards
I pause here from my usual ruminating — and venting — to mention several upcoming appearances involving my new historical thriller “Riddle Me This” (JMS Books), part of “The Games Men Play” series, as well as my day job.
Read MoreWhose art is it anyway?
What is it about Colorado?
First, there was the baker who didn’t want to make wedding cakes for gay couples. He told the U.S. Supreme Court that it violated his artistic and religious freedoms.
Now we have Lorie Smith, a Colorado website designer, who’s making pretty much the same argument before the court.
Read More'Interview With the Vampire' and cultural appropriation
Some authors are proprietary about their characters; some readers even more so, which is partly why Stephen King’s novel “Misery” and the subsequent film were such successes.
When the casting for the 1994 film “Interview With the Vampire” was announced, author Anne Rice balked at the idea of Tom Cruise as the Vampire Lestat, the antihero of the novel who becomes the main character in the subsequent books in the “Vampire Chronicles” series.
When the AMC series “Interview With the Vampire” bowed Oct. 2, some fans balked at the casting of Jacob Anderson, a Black actor, as Louis, “Interview’s” main character, and the updating of the setting to the Black Storyville section of New Orleans in the 1910s, instead of an 18th-century Louisiana plantation. Louis, they argued, wasn’t Black but white. How could the series change the essence of the character? (We should note that Rice, who died in 2021, was slated to be a producer of the series.) I would argue the new series didn’t fundamentally change the character, but it’s complicated.
Read MoreRiddling the readers with my new book
A number of tough deadlines have prevented me recently from blogging and ashamed of it I am, too, as there have been so many juicy storylines on which to comment — the ridiculous ruling on former President Donald J. Trump’s request for a special master, which will undoubtedly be appealed by the Justice Department;
The less than Churchillian new British prime minister, Liz Truss;
The new nonbinary Joan of Arc play, which asks the question, Does it matter that Joan of Arc was a woman? (Of course it does, since it’s one of the reasons she was executed);
And the zigzag rise of Nick Kyrgios, one of a long line of idiosyncratic players (John McEnroe, having another moment, still; Andre Agassi and Novak Djokovic, who should just get the damn jab and be done with it already) in an idiosyncratic sport.
But I want to beg my readers indulgence for a moment as I announce the Sept. 17 publication of my latest novel, “Riddle Me This.”“Riddle Me This” (JMS Books, Sept. 17)….
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