The Supreme Court made what critics would describe as some imperfect decisions in the week that New York Yankees pitcher Domingo Germán pitched a perfect game. While the two would seem unrelated, they both tell us a great deal about the unfairness and seeming randomness of life.
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Law and disorder in the house of Trump
On the eve of his 77th birthday, former President Donald J. Trump was arraigned in a Miami courthouse on 37 felony counts of holding and withholding government documents, charges that range from obstruction of justice to espionage.
Reporters, legal scholars and political commentators have already weighed in on the activities of the day and the merits of the case far better than I could. Instead, as a cultural writer, I’d like to focus on the thing I find most striking — indeed it has haunted me from day one — and that is the placement of the documents at Mar-a-Lago.
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Read MoreThreading the needle – the coronation of King Charles III
After all the buildup, the scandals and the controversies – How stripped down would the affair be? Would Prince Harry and Meghan, Duchess of Sussex, attend? Would people take the oath of allegiance? – the coronation of King Charles III Saturday, May 6, at Westminster Abbey in London emphasized the profoundly religious aspect of the ceremony. Like a baptism or confirmation – with its special rituals, symbols, clothing and music – the coronation underscored the covenant between an individual and God, which in this case must also be a covenant between a king and his people, who are going through a tough time.
Read MoreWhose art is it anyway?
What is it about Colorado?
First, there was the baker who didn’t want to make wedding cakes for gay couples. He told the U.S. Supreme Court that it violated his artistic and religious freedoms.
Now we have Lorie Smith, a Colorado website designer, who’s making pretty much the same argument before the court.
Read MoreDiana's true legacy
Like summer itself — which seemed to define her — Princess Diana’s season was too brief. She was born 60 years ago today, July 1, when summer, like an open road, stretches out before us, full of promise, and died 36 years later on Aug. 31, when summer’s promise, like its roses, has faded and its leaves have burnished, signaling fall.
Earlier today, she was remembered with a statue in the redesigned Sunken Garden of Kensington Palace, where she lived in London. Contemporary figurative sculpture is difficult to do. There’s something about modern clothes that seems at odds with sculpture’s heroic idealization. Think of all those dreary Soviet bureaucrats. That said, Ian Rank-Broadley’s Diana, Princess of Wales, is a total miss.
Read MoreThe Trumpian return to classicism
Far be it from me to agree with President Donald J. Trump on anything, but as the saying goes, even a broken clock is right twice a day.
Trump’s decision to MABGA — Make American Buildings Great Again — finds him decreeing in a new executive order that federal buildings in Washington, D.C. should be classical in style, rather than Modern.
The liberal media, Modernists and the art world are not taking this well — understandably. Everyone gets nervous when the federal government starts telling folks what to do, especially conservatives. And Modernism isn’t less a standard of beauty than classicism, Marion Smith, chairwoman of the National Civic Art Society, which is leading the anti-Modernist charge, notwithstanding. As the great composer-pianist Duke Ellington — who wrote jazz standards and classical works alike — observed, there are only two types of music, good and bad. So it is with all the arts.
But the Trump order is in keeping with a growing backlash against Modernism n art and design.
Read MoreWhose identity is it anyway?
The Metropolitan Museum of Art Costume Institute’s exhibit, “Camp: Notes on Fashion” (through Sept. 9) was inspired by Susan Sontag’s seminal 1964 essay “Notes on ‘Camp’,” which she defined broadly as style over substance characterized by theatricality, irony, playfulness, masquerade and unselfconsciousness. It’s a definition and a show that cuts a wide swath, but in the end it turns out to be less about camp and more about identity — its mutability and its ownership.
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