Members of the grieving Kennedy family at the Nov. 25, 1963, funeral of President John F. Kennedy in Washington, D.C., including from left, Sen. Edward M. Kennedy, actor Peter Lawford (behind him), Caroline Kennedy, Jacqueline Lee Bouvier Kennedy, Robert F. Kennedy and John F. Kennedy Jr. (saluting). The late Katonah, New York, resident John Shearer, who would go on to a career in photojournalism covering the civil rights movement among other events of the 1960s and ’70s, was just 17 when he took this photograph, despite being knocked down by the Secret Service. It is part of the exhibit “American Moments: John Shearer,” on view at The Capa Space in Yorktown Heights, New York, Dec. 9 through April 7.
Wednesday, Nov. 22 marks the 60th anniversary of the assassination of President John F. Kennedy by Lee Harvey Oswald in Dallas.
Those of a certain vintage can remember where they were and what they were doing when they heard the shocking news. In a sense, we’ve never recovered from it.
Read MoreAndrey Rublev at the 2023 Monte Carlo Masters. After losing to Carlos Alcaraz at the Nitto ATP Finals in Turin, Italy, recently, he reacted by hitting himself in the knee to the point of drawing blood. Photograph by si.robi.
From the courts of the Nitto ATP Finals in Turin, Italy, to the halls of the United States Congress, these have not been the best of times for men and anger management.
Read MorePresident Joe Biden, seen here at left with Israeli Prime Minister Benjamin Netanyahu on Oct. 18, is pressing Netanyahu for a three-day pause to secure the release of hostages. Courtesy the White House.
All life is narrative. Control the narrative, and you control public perception and opinion.
At the moment, Israel and President Joe Biden seem to be losing the narrative thread. I say “seem,” because I haven’t interviewed everyone in the world on this, of course. But based on what’s making news, former President Donald J. Trump and the Palestinians seem to be winning the battle for hearts and minds, in large part because the battle is being waged not primarily with words but with images.
Read MoreGordon Parks’ 1946 photograph “American Gothic: Portrait of Government Cleaning Woman Ella Watson” plays off of Grant Wood’s iconic painting of the same name, stating in no uncertain terms that Watson’s contribution to American society was no less important or dignified than Wood’s dour White farmer and his wife. Courtesy Library of Congress Prints and Photographs.
Many years ago now, I interviewed Renaissance man Gordon Parks — photographer, composer, writer and film director (“Shaft”), a man whose photojournalism in the 1940s through ’70s captured both the civil rights movement and Hollywood.
Parks had grown up poor and Black in Kansas. I asked him what kept him from being embittered by poverty and racial prejudice. He said something that has stayed with me ever since and that I have thought about a lot in the past few weeks of war and other violence: “It’s easier to pick up a paintbrush than a gun.”
Read More“Achilles in the Court of King Lycomedes“ (marble, 240). Musée du Louvre. The Greeks’ greatest warrior and a king in his own right, Achilles is the main character and antihero of Homer’s “The Iliad.” His rage at his humiliation by Agamemnon, the Greek high king and commander, during a quarrel over women as war prizes sets in motion the catastrophic events of Homer’s “The Iliad,” about a critical moment in the Trojan War.
Do we believe in coincidence or predestination? Is everything happenstance or is it a case that there are no accidents (Freud) and that “God does not play dice with the universe” (Einstein)?
Is that universe sending us a message by releasing a new translation of Homer’s “The Iliad” by University of Pennsylvania classics professor Emily Wilson just as Hamas savagely attacked Israel and Israel responded with a ferocious declaration of war? It would seem so, for the ancient Greek epic has much to tell us about issues that speak to our time, not the least of which are overweening male pride and rage, power as a zero sum game and stupefyingly bad leadership.
Read MoreFormer Speaker of the House Kevin McCarthy on the day he was elected speaker — Jan. 7, 2023 — after 15 attempts. Now he is gone after almost nine months, about the time it takes for a full-term pregnancy and with no baby to show for it. Courtesy the former Speaker.
The Oct. 3 ouster of House Speaker Kevin McCarthy — a man brought down as much by his own ambition as by the hard right of the Republican Party and the united Democrats, who refused to oppose it — echoes ancient Greek and Shakespearean tragedies, to say nothing of the Hindu/Buddhist principle of karma and Randy Rainbow, who parodied McCarthy’s pathetic groveling for the speakership in a takeoff on “Les Misérables’” “Master of the House.”
Read MoreAllison Zuckerman’s “Woman at Her Toilette” (2017, acrylic and inkjet on canvas) is part of “Framing the Female Gaze: Women Artists and the New Historicism” (Tuesday, Oct. 10, through Jan. 20 at Lehman College Art Gallery). Courtesy Lehman College Art Gallery.
In the late-20th and early-21st centuries, an age of cultural appropriation that has seen minorities adapt and reinvent the masterpieces of Western civilization, women artists have reasserted the so-called “female gaze,” not only by creating wholly original works but by reclaiming the art historical canon, either interpolating themselves and women arts leaders into iterations of great paintings or imagining men from a woman’s perspective.
A new exhibit at the Lehman College Art Gallery explores this subject through the prism of 19th-century French art.
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