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The Gov. Mario M. Cuomo Bridge, alias the new Tappan Zee Bridge, was fast-tracked by the Obama Administration. Is infrastructure a bridge too far for Trump’s?

Donald Trump and the 'I' words

May 29, 2019

So we’ve finally heard from Robert Mueller about his investigation into Russkiegate and while we didn’t learn anything new, we did have the extraordinary experience of the special prosecutor emphasizing that while he couldn’t prove the Trump campaign was guilty of a crime, he still wasn’t exonerating the president from obstruction of justice.

A Manchester Brexit protest ahead of Great Britain’s Conservative Party Conference Oct. 1, 2017, with a caricature of Prime Minister Theresa May clearly visible. The more she catered to the extremists in her party, the more unpopular she became with… — A Manchester Brexit protest ahead of Great Britain’s Conservative Party Conference Oct. 1, 2017, with a caricature of Prime Minister Theresa May clearly visible. The more she catered to the extremists in her party, the more unpopular she became with them and the opposition.

(Theresa) May Day

May 26, 2019

In Jenni Russell’s fine May 24 column for The New York Times, she compares soon-to-be former British Prime Minister Theresa May to the queen at the end of “Game of Thrones” — lost, abandoned, her realm destroyed. I gave up on the series after the first season, finding it misogynistic. Besides, who needs such popular fiction when we have history and current events themselves? After all, we must account God — or, for the atheistic crowd, life — as good a writer as George R.R. Martin, n’est-ce pas?

Justify after winning the Preakness Stakes on his way to becoming the 13th Triple Crown winner. (That’s trainer Bob Baffert in the red tie.) With no Triple Crown on the line this season, the action remains centered on the fallout from Maximum Securi… — Justify after winning the Preakness Stakes on his way to becoming the 13th Triple Crown winner. (That’s trainer Bob Baffert in the red tie.) With no Triple Crown on the line this season, the action remains centered on the fallout from Maximum Security’s disqualification at the Kentucky Derby. Photograph courtesy Maryland Governor’s Office.

Maximum insecurity

May 17, 2019

April is the cruelest month,” T.S. Eliot began his poem “The Waste Land.” But T.S. — we hesitate to be overly familiar and call him Tom — what about May?

Threats to and from Iran, the continuing abortion divide, tariff wars, the stock market bouncing around like a knuckleball again: The only thing that is certain these days is, of course, uncertainty, making us all uneasy.

In the past, culture — specifically, arts and entertainment and sports — has provided stability in a destabilized world. But the real world keeps intruding on these parallel worlds that are framed differently by time and space.

Bartholomeus Spranger’s “Diana-Luna” (1566-1611), oil on canvas. Museum of Fine Arts, Budapest. The work captures the way art eroticizes the virgin archetype.

America's psychological virgin

May 15, 2019

With the passing of movie star Doris Day May 13 at her home in Carmel Valley, California, at age 97, much has been made of her goody two shoes image on film in the 1960s and the way it was pooh poohed in subsequent decades when attitudes toward women’s sexuality were expanding in the advent of feminism. (It was an image that Day, who had a number of troubled marriages, herself dismissed on “The Tonight Show With Johnny Carson,” and indeed she often played complex wives, most notably in Alfred Hitchcock’s “The Man Who Knew Too Much” and as the torch singer Ruth Etting in “Love Me or Leave Me.” )

Philippe I, duke of Orleans, in the robes he wore to his brother Louis XIV’s coronation in 1654, oil on canvas. Palace of Versailles. The Met’s “Camp” show would define the bisexual cross-dressing Monsieur as camp, but would he?

Whose identity is it anyway?

May 12, 2019

The Metropolitan Museum of Art Costume Institute’s exhibit, “Camp: Notes on Fashion” (through Sept. 9) was inspired by Susan Sontag’s seminal 1964 essay “Notes on ‘Camp’,” which she defined broadly as style over substance characterized by theatricality, irony, playfulness, masquerade and unselfconsciousness. It’s a definition and a show that cuts a wide swath, but in the end it turns out to be less about camp and more about identity — its mutability and its ownership.

Fear and loathing in the age of Apple

April 30, 2019

Show of hands on how many of you have visited an Apple store recently and gotten out in oh, say, less than a half-hour?

I can’t see you, of course, but I bet not many hands are raised. Going to an Apple store is like the Luis Bunuel film “The Exterminating Angel,” in which the guests can’t leave a party. (Since this is mainly a cultural blog, I should point out that it was made into an opera.)

The Kentucky Derby, the Run for the Roses, still features Stephen Foster’s poignant “My Old Kentucky Home” albeit with some changes to the lyrics. Courtesy kentuckytourism.com.

Against political correctness (with a caveat)

April 27, 2019

My cousin-hosts served up an intense political discussion along with delicious herb-crusted lamb chops for Easter dinner. As with most American families, mine is made up of Democrats and Republicans, Trumpettes and never-Trumpers. Me, I’m a moderate-independent, although I caucus with the Dems, so to speak.

About the only thing we all agree on is that we’re lifelong Yankee fans. So what did I, they wondered, think of the New York Yankees banning Kate Smith’s rendition of “God Bless America” because she sang a song about “darkies” that Paul Robeson, the great African-American actor-singer, also sang?

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