Kate Spade, by any other name

June 6, 2018

In 2013, Tiffany & Co. celebrated Baz Luhrmann’s new film version of “The Great Gatsby” with a day of events that concluded with a Roaring ’20s-style party at the Fifth Avenue flagship. I swanned through the night in a black column dress that was accented mainly by a Kate Spade necklace of green turquoise florets. Throughout the evening, several people stopped me – this was at Tiffany’s, remember – to say what a great necklace it was.

That was the Kate Spade effect. Whether it was with a statement necklace or a book with an inspirational saying or one of her signature vibrant handbags that marked a young woman’s coming of age and defined a generation in the good-times ’90s, Spade had a way of lifting you up. That she could not do the same for herself proved to be her tragedy. …

Viva, Uribe

April 19, 2018

Recently, I had the pleasure of writing an essay for a new monograph on the contemporary Colombian artist Federico Uribe – whose haunting mixed-media paintings and sculptures draw on a difficult childhood, his complex relationship with Roman Catholicism and the violence of his homeland to explore issues of sex/gender, passion and the body, among others. Now the book is set to be released. ...

Beauty in the ‘Beast’

March 29, 2017

A shoutout to the new film version of “Beauty and the Beast,” which proves you can build on previous iterations and make something that is related but individual.

Of the three Walt Disney versions using Alan Menken’s score – which also include an acclaimed animated movie and a Broadway musical – this latest interpretation is by far the most adult (although kids will still enjoy it). ...

Up on the (USTA) roof

August 3, 2016

In my novel “Water Music” – the first in my series “The Games Men Play” – the tennis-playing protagonists fall in love before a US Open final that they assume will be rained out.

That is no longer a plot option.

On Tuesday, the USTA Billie Jean King National Tennis Center in Queens, N.Y. unveiled the new retractable roof for its Arthur Ashe Stadium. And while not everything went off without a hitch, more than 200 invited sponsors, staffers and members of the press seemed most impressed with what is nothing short of an engineering Grand Slam.

“Oh, oh, did I feel rain?” Katrina Adams, chairman of the board and president of the White Plains-based United States Tennis Association, teased under sunny skies. “Well, guess what? It doesn’t matter now. A plan more than 10 years in the making literally comes to a close today before our eyes.” ...

Of Stephen Curry and Stephen Hawking: Sports and destiny

May 30, 2016

There are few more intriguing themes in journalism and literature than that of the brilliant loser – the superb racer who for a variety of reasons fails to meet expectations, be it runners Zola Budd and Mary Decker, speed skater Dan Jansen or Thoroughbreds Spectacular Bid, California Chrome and, most recently, Nyquist; the juggernaut so dominant in the regular season and so vulnerable in the playoffs (the Stephen Curry-led Golden State Warriors battling the Oklahoma City Thunder in the NBA playoffs); and, most heartbreaking of all, the “perfect” performer who finds that perfection elusive when needed most (Serena Williams against Roberta Vinci in the semifinals of the US Open last year; Novak Djokovic against Stan Wawrinka in the finals of the French Open last year; and, my favorite ...

‘SHE’ and ‘the woman’s card’

May 2, 2016

With apologies to Dickens, this seems to be the best of times and the worst of times to be a woman.

At a moment when women dominate higher education and professional schools, they stand on the threshold of one of their own achieving for the first time the highest office in the United States and becoming the most powerful person on the face of the earth.

On the other hand, Hillary Clinton’s opponents seek either to demonize her and her sex, ridiculing her for playing “the woman’s card” (Donald Trump), or to throw chivalry into sharply false relief by confining women to the gilded cage of the pedestal (Ted Cruz) and the nostalgia of the kitchen (John Kasich).

And that’s the good news. Murder; rape; genital mutilation; sex slavery; child marriage; forced conscription into terrorists squads; a lack of access to education, employment, health care and reproductive rights; cyber death threats to and bullying of female sportswriters (a subtheme of my forthcoming novel, “The Penalty for Holding”) and, that old standby, unequal pay for more-than-equal work: The challenges and atrocities that women face are staggering.

All of which makes the incandescent “SHE: Deconstructing Female Identity” – at ArtsWestchester in White Plains, N.Y. through June 25 – a most timely exhibit indeed.

Organized by Kathleen Reckling, the brilliant gallery curator and an avowed feminist, “SHE” considers that identity and the woman’s card through what have traditionally been three power centers for women – their bodies/nature, the home/domesticity and fashion. ...

Pirelli captures the total woman

December 7, 2015

First it was Playboy doing away with nude pinups. Now the 2016 Pirelli calendar has eschewed the naked ladies – well, mostly – for something different, courtesy of photographer Annie Leibovitz.

Think Patti Smith as imagined by John Singer Sargent, Fran Lebowitz as a latter-day Georges Sand and model Natalia Vodianova with her youngest in a pose that despite her bare leggy-ness echoes a Raphael Madonna and Child.

Besides Vodianova, other examples of fleshiness are a topless Serena Williams, back to the camera in a heroic lunge; and Amy Schumer in panties and heels, comfortable with her stomach rolls as she holds a paper cup. ...