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Free to be you, me – and someone else

Culture vulture that I am, I somehow missed the cultural appropriation wars that have erupted. That’s what you get for going on vacation and unplugging.

First, novelist Lionel Shriver apparently set off a firestorm at the Brisbane Writer’s Festival with a defense of artists using other people’s races, ethnicities, sexualities, etc. in their creations. Then Claudio Gatti outed the comfortable Roman translator Anita Raja as the author of the pseudonymous Elena Ferrante novels about the friendship between two poor Neapolitan girls. 

Meanwhile, Bristol University cancelled a production of Giuseppe Verdi’s “Aida,” because students protested white people playing Egyptians and Ethiopians. ...

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Adventures in publishing, Washington edition

It is a truth universally acknowledged that an author of good fortune – or, let’s face it, no fortune at all – must be in want of an audience. And so I repaired once again, dear readers, to The DC Center for the LGBT Community’s OutWrite Book Festival in Washington, this time to read from my novel “The Penalty for Holding” – about a gay, biracial quarterback’s quest for love in the NFL. It is slated to be published next year by Less Than Three Press.

But this was also a busman’s holiday as well, as I had in mind visiting two exhibits I longed to see – “The Greeks: Agamemnon to Alexander the Great,” at the National Geographic Museum through Oct. 10, and “Will & Jane: Shakespeare, Austen and the Cult of Celebrity,” at the Folger Shakespeare Library through Nov. 6. What is it that the late Nora Ephron said: “Everything is copy”? Everywhere I went reminded me of what it means to be a writer. ...

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Of Stephen Curry and Stephen Hawking: Sports and destiny

There are few more intriguing themes in journalism and literature than that of the brilliant loser – the superb racer who for a variety of reasons fails to meet expectations, be it runners Zola Budd and Mary Decker, speed skater Dan Jansen or Thoroughbreds Spectacular Bid, California Chrome and, most recently, Nyquist; the juggernaut so dominant in the regular season and so vulnerable in the playoffs (the Stephen Curry-led Golden State Warriors battling the Oklahoma City Thunder in the NBA playoffs); and, most heartbreaking of all, the “perfect” performer who finds that perfection elusive when needed most (Serena Williams against Roberta Vinci in the semifinals of the US Open last year; Novak Djokovic against Stan Wawrinka in the finals of the French Open last year; and, my favorite ...

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‘SHE’ and ‘the woman’s card’

With apologies to Dickens, this seems to be the best of times and the worst of times to be a woman.

At a moment when women dominate higher education and professional schools, they stand on the threshold of one of their own achieving for the first time the highest office in the United States and becoming the most powerful person on the face of the earth.

On the other hand, Hillary Clinton’s opponents seek either to demonize her and her sex, ridiculing her for playing “the woman’s card” (Donald Trump), or to throw chivalry into sharply false relief by confining women to the gilded cage of the pedestal (Ted Cruz) and the nostalgia of the kitchen (John Kasich).

And that’s the good news. Murder; rape; genital mutilation; sex slavery; child marriage; forced conscription into terrorists squads; a lack of access to education, employment, health care and reproductive rights; cyber death threats to and bullying of female sportswriters (a subtheme of my forthcoming novel, “The Penalty for Holding”) and, that old standby, unequal pay for more-than-equal work: The challenges and atrocities that women face are staggering.

All of which makes the incandescent “SHE: Deconstructing Female Identity” – at ArtsWestchester in White Plains, N.Y. through June 25 – a most timely exhibit indeed.

Organized by Kathleen Reckling, the brilliant gallery curator and an avowed feminist, “SHE” considers that identity and the woman’s card through what have traditionally been three power centers for women – their bodies/nature, the home/domesticity and fashion. ...

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Homer in New Rochelle: More adventures in publishing

Recently, Ken Valenti – a colleague from our days at the Gannett newspapers – graciously asked me if I would read at a gathering of his group For the Love of Words at R Patisserie Café & Tea Boutique in New Rochelle, N.Y., a most collegial coffeehouse. Naturally, I said yes. What writer doesn’t love the sound of her own words, her own voice?

As usual, I practiced my go-to selection from “Water Music,” the first novel in my series “The Games Men Play,” in which tennis player Alí Iskandar becomes involved in an international incident that draws him into the circle of his soon-to-be lover, tennis star Alex Vyranos. (Given the R-rated nature of the novel, there are not many easily available go-to sections.)

But something happened as I prepared to leave for the reading: I turned on the TV to learn of the Brussels bombing. ...

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Of deflated balls, exposed appendages and concealed identities

It’s been a great week for news – sporting and otherwise – of the games men play.

First, it’s ba-aaack – Deflategate that is. You will recall that last September, federal court Judge Richard M. Berman ruled that the NFL had overstepped its bounds in its arbitration of Tom Brady’s four-game suspension for allegedly masterminding the deflation of footballs in the New England Patriots’ 2015 A.F.C. Championship win over the Indianapolis Colts.

Now a three-judge panel for the United States Court of Appeals, Second Circuit, has said, Not so fast. Taking a view similar to my own from the start of this delicious story, the panel seems less interested in the NFL’s triple role as judge, enforcer of punishments and arbitrator of appeals – a strange trifecta that would automatically make the league vulnerable to the charge of overstepping by the Players’ Union – than it is in the cover-up that always trips you up. To wit: What of Brady’s destroyed cell phone that might’ve contained incriminating information about his altered balls? ...

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Can the Broncos stop Cam Newton, er, the Panthers?

A good defense stops a good offense like good pitching stops good hitting – or so running quarterback Quinn Novak wonders in my forthcoming novel, “The Penalty for Holding.”

Anyone who thinks that, he reasons, has never considered Alexander the Great taking it to the Persians in 331 B.C.

And indeed, while the Denver Broncos’ defense surely stopped Tom Brady and the New England Patriots in the American Football Conference Championship, that defense is going to be hard-pressed to stop the Carolina Panthers’ electrifying running game as encapsulated by their QB Cam Newton in Super Bowl 50 Feb. 7. ...

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