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The original Karen? In the Gospel According to St. Luke, Jesus tells the parable of the persistent widow, who receives a judgment against her adversary from an unjust judge simply so he can be rid of her. One person’s nagging is another’s tenacity. … — The original Karen? In the Gospel According to St. Luke, Jesus tells the parable of the persistent widow, who receives a judgment against her adversary from an unjust judge simply so he can be rid of her. One person’s nagging is another’s tenacity. Image from “Christ’s Object Lessons” by Helen Gould Harmon White (Pacific Press Publishing Co., 1900).

On Karens and angry white men

December 31, 2020

The latest edition of what I call “the literature of rejection “— the disproportionate rage at some insult by life, as evinced by the antiheroes of such fictional works as “The Iliad,” “Paradise Lost” and “Wuthering Heights” and in real life by mass murderers, assassins and terrorists that have included John Wilkes Booth, Adolf Hitler, Lee Harvey Oswald, Timothy McVeigh and Osama bin Laden — is the case of the Nashville bomber, Anthony Quinn Warner.

He fits the profile of the literature of rejection — angry, generally white and always male. What was Warner angry at exactly? AT &T? 5G? His father, who had worked for AT&T? Life? Himself? Unlike many of these monsters, he had a girlfriend — or ex-girlfriend — and that’s where things get really interesting.

Jill Biden, who likes to be known as Dr. Jill Biden, in her official 2009 portrait as second lady of the United States. Photograph by Ralph Alswang for the White House.

A 'doctor' in the (White) House

December 16, 2020

The latest skirmish in the culture wars involves incoming first lady Dr. Jill Biden, as she likes to be known.

Biden is not a medical doctor but a doctor of education, and that seems to have stuck in the craw of Joseph Epstein (honorary doctorate), who in a somewhat snarky piece for The Wall Street Journal, told Biden in effect to stow it. Epstein’s commentary was not so much about BIden but about the decline of educational standards in general in this country, something I would heartily agree with, including in the awarding of doctorates, something I would not agree with. My family was enormously proud to see my oldest nephew Matthew receive his doctorate in applied mathematics after years of hard work and challenges that began when he was in high school. The degree has brought him a plum job as a government subcontractor at a prestigious university. So a PhD in any subject is nothing to sneeze at, and we can’t assume it wasn’t well-earned.

Diana, Princess of Wales, and tenor Luciano Pavarotti at the concert “Pavarotti and Friends for the Benefit of the Children of Bosnia” in his hometown of Modena, Italy, in September 1995. Cut loose from the royal family, she had by then developed th… — Diana, Princess of Wales, and tenor Luciano Pavarotti at the concert “Pavarotti and Friends for the Benefit of the Children of Bosnia” in his hometown of Modena, Italy, in September 1995. Cut loose from the royal family, she had by then developed the elegantly economical look that crystallized her last years and our sense of a woman in full.

Diana, our lady of compassion

November 29, 2020

Winter, as Charles Dickens knew, is the season of ghosts. The holidays bring memories of those who are no longer with us, reminders of those who cannot grace our tables — never more so than during the pandemic when the table is often a table set for just one.

TV, too, the great American unifier and divider, plays a role in this with sad but uplifting holiday fare and series that reopen old wounds while underscoring that the past is never really over, because it is part of the continuum that informs the present and the future.

“The Crown,” Netflix’s addictive-as-potato-chips series about the British royal family, is now in its fourth season, which brings us to the Diana years and a reappraisal of her, her legacy and what went so horribly wrong. Why does Diana, Princess of Wales, haunt us still? More to the point, why do we still haunt her — for it is the living who haunt the dead, not the other way around.

President Donald J. Trump greets outgoing President Barack Obama on his inauguration day, Jan. 20, 2016, as former Vice President, now President-elect, Joe Biden and Senate Minority Leader Chuck Schumer applaud politely. Thus far Trump has not shown… — President Donald J. Trump greets outgoing President Barack Obama on his inauguration day, Jan. 20, 2016, as former Vice President, now President-elect, Joe Biden and Senate Minority Leader Chuck Schumer applaud politely. Thus far Trump has not shown Biden the same graciousness and cooperation Obama showed him. Photograph by Lance Cpl. Cristian Ricardo.

Trump and winning in loss

November 15, 2020

Recently, I went what seemed to be about 17 rounds with a publicist seeking to place an appeal for an arts organization who objected to my calling the organization small and struggling, even though it is. I shouldn’t have gotten testy about this. One of the casualties of the pandemic has been my minimal patience. But as a journalist, I always object to publicists trying to control the story, and I was particularly rankled by her waving the dictionary at me via e-mail, as if I were some recalcitrant schoolgirl.

In the end, we achieved a kind of detente, but only because I decided the story was more important than my ego. It always is. Still, I was this close to telling her she used another word incorrectly. Why? Because I wanted to score a point. I wanted to win.

Royal flush: When Harry met Meghan

August 19, 2020

The challenge of authorized biography is the balance between accessibility and objectivity. If your subject is still alive or has keepers of the flame like a relative or foundation, you want to be able to tap into that resource. At the same time, you do your subject and yourself no favor by kowtowing. Indeed you make a stronger case for the importance, charisma, strength, greatness and perhaps ultimate goodness of your subject by portraying him with warts and all.

Like Andrew Morton’s “Diana: Her True Story,” Omid Scobie and Carolyn Durand’s “Finding Freedom: Harry and Meghan and the Making of a Modern Royal Family” (Dey St./William Morrow, $27.99, 354 pages) — billed as “the definitive biography” — reads like an authorized one.

My latest novel, “Seamless Sky,” published by JMS Books in January, will be serialized by the Westchester and Fairfield County Business Journals next week and in WAG magazine, their sister publication, in September.

A not so distant mirror of challenging times

July 30, 2020

Challenging times call for creative measures – and so it is that newspapers, purveyors of factual truth, have joined forces with fiction writers, purveyors of psychological truth, in the hope of expanding their readership and providing that readership with an escape from the grim news of the day.

On Sunday, July 12, The New York Times devoted its entire magazine to fiction. And the Boston Globe recently serialized Ben Mezrich’s “The Mechanic,” a novella, the Globe said, “with a strong Boston accent.”

I’m delighted that Dee DelBello — publisher of the Westchester and Fairfield County Business Journals and of WAG magazine, which I edit — has decided to serialize my latest novel, “Seamless Sky,” published in January by JMS Books, in the business journals next week and in WAG in September.

Lin-Manuel Miranda, creator and star of “Hamilton.” Photograph by Steve Jurvetson. — Lin-Manuel Miranda, creator and star of “Hamilton.” *Photograph by Steve Jurvetson.*

Guest blogging at JMS Books

July 13, 2020

It’s not often that I promote another blog on this one, but recently, my publisher, JMS Books, put out a call to any of its authors who wanted to guest blog on its website. Being an inveterate blogger, I jumped at the chance, and my post is running Tuesday, July 14, Bastille Day. (Vive la France.)

The post is not about France but about how I came to write “The Games Men Play” series, about power, dominance and rivalry, set mainly in the world of sports, although I’ve expanded the series to include earlier novels that have only recently been published. I won’t recount the post here, so you can discover it for yourself at jms-books.com as well as my books,, including my latest work, the short story “The Glass Door,” about love in the time of corona. (It’s a theme that’s haunting me and other writers of late.) It’s due out Aug. 10.

I will, however, discuss a subject here related to that post since many of my books are about gay or bisexual men and that is cultural appropriation.