Many years ago now, I interviewed Renaissance man Gordon Parks — photographer, composer, writer and film director (“Shaft”), a man whose photojournalism in the 1940s through ’70s captured both the civil rights movement and Hollywood.
Parks had grown up poor and Black in Kansas. I asked him what kept him from being embittered by poverty and racial prejudice. He said something that has stayed with me ever since and that I have thought about a lot in the past few weeks of war and other violence: “It’s easier to pick up a paintbrush than a gun.”
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