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Classical nudes: The not-so-obscure objects of our desire

This has been a big year for the classical nude. But then again, when is it not?

From the moment the Renaissance uncovered Roman copies of sculptures of ancient Greek gods and goddesses, heroes and heroines, the nude has defined our highest aspirations for the body, from the art of Donatello and Michelangelo to the neoclassical works of turn-of-the-19th century Paris to the highly formal, erotically charged photographs of Robert Mapplethorpe, just to name a few.

“Not only is it the longest lasting, most influential visual form for representing the human body up to the present day, but it has also become so powerfully naturalized as merely ‘the nude’ that we have often lost the ability to see it as a specific historical type, with a particular history, geography and canon,” curator Jonathan David Katz wrote in the catalog for “Classical Nudes and the Making of Queer History,” at the Leslie-Lohman Museum of Gay and Lesbian Art in Manhattan last fall. ...

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Goodbye, Bruce. Hello, Caitlyn

And Godspeed. Reaction to Bruce Jenner’s metamorphosis into Caitlyn Jenner on the cover of Vanity Fair has been predictably all over the place and, just as predictably, says more about the commenters than it does about Caitlyn.

There’s no point in dwelling on those who think she’s sick or out for publicity. They just don’t get it.

More interesting are those comments that criticize the pinup aspect of the Annie Leibovitz cover. Let’s face it, if you’re going to transform yourself physically into the sex you believe you always were, well, then you and we want to see that transformation. As for the poster on The New York Times’ site who said that the way to be a smokin’-hot woman at 60 is to live the previous 59 years as a man, well, he – I’m sure it was a he – has a point. I’ve often said on this blog and elsewhere that men are the more beautiful, sexier and thrilling of the two traditional sexes. It’s part of the reason I write about beautiful, sexy, thrilling men in my novel series “The Games Men Play.” ...

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Deflategate: Iceberg, straight ahead

So NFL Commissioner Roger Goodell will hear Tom Brady’s appeal, despite a request from the NFL Players Association that he recuse himself.

“One of the primary responsibilities of the commissioner is to protect the integrity of the game and to do what’s right for the game of football,” Goodell said

“That’s my job. We have a process that’s been negotiated with the union that’s been in place for decades. It’s something that we’ve had in place for a long time and we’re going to do it that way.”

What planet is he on? First, there’s the NFL’s constant misuse of the word “integrity.” It means “wholeness.” In Jungian psychology, the integrated self is the self that is all of a piece. Alistair Cooke, the late, longtime host of “Masterpiece Theatre,” once said of Marilyn Monroe that she was a person of integrity – a mess off and onscreen. Cruel but you get his point: “Integrity” doesn’t mean “honesty.” It means that you’d be the same way with the president of the United States that you are with your grocer. It’s a quality that the Dalai Lama and the pope are said to have. It’s not a quality that’s usually associated with football players. What a surprise. ...

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Britney Griner, Glory Johnson and how life imitates art

Just when I think stories about gay athletes who are rivals and lovers – the subjects of my novel series “The Games Men Play” – may be preposterous comes news of the marriage of W.N.B.A. stars Britney Griner and Glory Johnson. 

Griner, the center for the Phoenix Mercury, is the league’s top blocker; Johnson, a forward for the Tulsa Shock, the league’s No. 3 rebounder. They hit it off away from the courts and, despite a bump in the relationship that resulted in both being arrested on domestic violence charges (and suspended for seven games), married on May 8 in Phoenix.

It was a story I read with great interest, because the heroes of my forthcoming second novel “The Penalty for Holding” – Quinn and Tam, rival quarterbacks – consider marriage. (Griner and Johnson were also rivals during their college years, just like Tam and Mal – the third figure in my quarterback triangle – are.)

Adding a twist to the Briner-Johnson story: Johnson is straight. ...

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The transgendered nature of art

Bruce Jenner’s transition to womanhood and the profile of transgendered model Andreja Pejić in May Vogue have got me thinking about the transgendered nature of art.

Consider Thomas Hardy – whose “Far From the Madding Crowd” has been made into a new film starring Carey Mulligan, the sensual Matthias Schoenaerts and the estimable Michael Sheen. For him to create some of fiction’s greatest romantic heroines, and heroes, he had to understand a woman’s mind and heart as well as that of a man. For George Balanchine to create some of ballet’s finest works, he had to know a woman’s body as intimately as a man’s.

Art has also long been preoccupied with hermaphroditism – the condition of having the physical attributes of both sexes. In ancient Greek mythology, Hermaphroditus – son of Hermes, the messenger god, and Aphrodite, goddess of love and beauty – was a beautiful youth beloved by the water nymph Salmacis, who embraced him against his will in her pool and prayed that the two would become one. ...

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Gay marriage v. states’ rights

Gay marriage is once again before the U.S. Supreme Court, and depending on what the Court decides, it could become the law of the land.

Opponents have taken a new tactic. It’s not about whether or not gays should marry but whether the Court or the states should decide this.

Trust me: It’s about whether or not gays should marry, and invoking states’ rights in this situation here smacks of the Dred Scott Decision of 1857, in which the Court ruled 7-2 that just because you’re a slave living in a free state doesn’t make you free.

Right now, you might be gay and married in New York but you sure as hell ain’t gay and married, in, say, Tennessee.

And that’s absurd. There are certain things in which there must be uniformity of the law, otherwise what’s to stop a heterosexual couple’s marriage from being ignored by a state? ...

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Nature teams with nurture in ‘The Professor in the Cage’

“The Professor in the Cage,” Jonathan Gottschall’s provocative new book, locates itself at the gridlocked intersection of biology and culture.

The subtitle “Why Men Fight and Why We Like to Watch” suggests another question, Why are women the nicer sex? and its corollary, Are they really?

The answers are fascinating and complex, though perhaps not as complex as his book makes them out to be.

Part of “The Professor in the Cage” is about how Gottschall, an out-of-shape, disenchanted academic, got involved in the brutal world of mixed martial arts (MMA). His personal story is less interesting, however, than his personal observations. He hits the mark, for instance, when he says that MMA is like gay porn – all those rippling, sweaty physiques grappling with one another in clutches that are at once amusing and arousing. It’s the reason I love wrestling. And I suspect – as the nude wrestling scene in “Women in Love” suggests – it gives men a license to touch one another in a way that conforms to traditional heterosexual society, as do all sports.

But why must male athletic competition be so violent – or at least carry the threat of violence? And why do we secretly – or not so secretly – find it thrilling? ...

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