Netflix’s “The Crown” – the Brits’ most addictive-as-potato-chips offering since “Downton Abbey” – tells the story of Queen Elizabeth II (Claire Foy) from her days as a happy wife of a dashing naval lieutenant on the isle of Malta through her ascendance to the British throne on the death of her father, George VI.
Like many good narratives, its absorbing juiciness derives from familial tensions – between husbands and wives, mothers and daughters and, especially, siblings. But its real subject is one that plagues the contemporary world and whose misunderstanding, I fear, will cost the world dearly as it veers toward demagoguery – the nature of leadership. ...
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Read MoreWith the recent death of Fidel Castro – and the return of “The Hollow Crown” series to PBS, based on Shakespeare’s Henry and Richard histories – my thoughts turn to Vergina, the highlight of My Big Fat Greek Odyssey and a place were leaders were made and unmade.
It was here in the ancient capital of Aigai that Philip II was assassinated on his daughter Cleopatra’s wedding day in a kind of “Godfather” moment. It was here that his son and Cleopatra’s full brother, Alexander, became king. And it was here that the ancient burial mounds of kings of Macedon were unearthed by archaeologist Manolis Andronokis in 1977.
Today, a museum sits on the site, with another coming. We arrived on a rainy morning and were immediately delivered into a world that is overwhelming. This is a dark space that throws the treasures it protects into dramatic relief. Crowns of gold leaves. ...
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Read More"Behind every great man is a great woman”: It’s an adage that’s been brought home to in our postfeminist age. Witness the apotheosis of Michelle Obama on the cover of the current Vogue and the new “Jackie,” with Natalie Portman transcendent as the tragic former first lady.
Indeed, her Jacqueline B. Kennedy and Jackie herself are better than director Pablo Larrain’s “Jackie.” For one thing, the movie’s music, no doubt intended to strike a discordant note, is merely jarring. It underscores other false notes. Why is the boy who plays John F. Kennedy Jr. a blond? And why does Peter Sarsgaard’s Robert F. Kennedy fail to speak with his distinctive broad Boston cadence, particularly when Portman’s Jackie speaks in her signature breathy New Yorkese? And why do we see her not once but twice in a red gown when she mainly favored white and pastel formal wear?
Perhaps this is quibbling. What “Jackie” and Portman’s Jackie do very well is locate her grief and then show us how she cycles through it, reinventing her husband, his presidency – and, thus, herself – in what remains in some ways a pyrrhic victory. ...
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Read MoreIn his new book, “Shaken” (Waterbrook, 213 pages, $25), Tim Tebow considers the failure of his NFL career after his successful run with the Denver Broncos. He’s now trying to make it as a baseball player with the Arizona Fall League, where, once again, he’s been hailed for his good work ethic, leadership skills and clutch play but is still struggling to master the outfield. NFL legend and ESPN analyst Steve Young is among those pulling for him. But many who admire Tebow say he simply doesn’t have pro-quality aptitude.
He has, in other words, the temperament but not the talent. ...
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Read MoreI’m still trying to wrap my mind – and, more difficultly, my heart – around the presidential election. You can talk about the failure of the Democrats to appeal to working-class voters; their reliance on the Barack Obama coalition (blacks, Latinos, women, millennials), which did not hold for the Dems – at least not in great enough numbers, and that includes you, Colin Kaepernick; a certitude, a smugness even, that wasn’t justified; the role of F.B.I. director James Comey in underscoring the tightening race in the last two weeks before the election; but at the end of the day, it was all about the zeitgeist.
Donald Trump was not merely the “change” candidate, again (Remember when Obama was the change candidate?); he was the regular-guy billionaire you could sit down and have a cheeseburger with, the one who understood America’s deeply ingrained nativist, isolationist, homogenous longings. This has always been – for all our forays into wars around the world – a determinedly inward-looking country. ...
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Read MoreFreud said there were no such things as accidents so it should come as no surprise that The New York Times would carry a front page story on women who decided against reconstruction after mastectomy – complete with fascinating photographs of their flat, scarred and, in many cases, beautifully tattooed chests – at a moment that The Frick Collection in Manhattan is exhibiting “Cagnacci’s ‘Repentant Magdalene’” (through Jan. 22).
As several Times posters noted, the newspaper would not be displaying those photos had the breast cancer survivors had one or both breasts. And that’s in part because of artists like Guido Cagnacci, the Italian Baroque master whose subjects included Cleopatra and who helped sexualize the female body and female breasts in particular. ...
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Read MoreAs fabulous as the Times Journeys’ “The Legacy of Alexander the Great” was thus far, I still wasn’t feeling Alexander. Athens had never been a home to him, even after he sent the city 300 Persian shields – a brutal souvenir of the victorious opening gambit in his quest to conquer the Persian Empire, the Battle of the Granicus. Plutarch – and tour leader David Ratzan – tell us that Alexander signed the tribute “Alexander, son of Philip and all the Greeks except the Spartans,” the Spartans rarely taking part in anything the other city-states, especially archrival Athens, did.
You get the sense that perhaps Alexander was doing a bit of kissing up to the Athenians, who saw him, Philip and the rest of the Macedonians as rough-hewn arrivistes. (It’s the reason that Oliver Stone cleverly had the Greeks speak with British accents in his movie “Alexander” and the Macedonians speak with Irish ones, the idea being that the Greeks looked down at the Macedonians just as the British have looked down on the Irish.) ...
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