The transgendered nature of art

April 30, 2015

Bruce Jenner’s transition to womanhood and the profile of transgendered model Andreja Pejić in May Vogue have got me thinking about the transgendered nature of art.

Consider Thomas Hardy – whose “Far From the Madding Crowd” has been made into a new film starring Carey Mulligan, the sensual Matthias Schoenaerts and the estimable Michael Sheen. For him to create some of fiction’s greatest romantic heroines, and heroes, he had to understand a woman’s mind and heart as well as that of a man. For George Balanchine to create some of ballet’s finest works, he had to know a woman’s body as intimately as a man’s.

Art has also long been preoccupied with hermaphroditism – the condition of having the physical attributes of both sexes. In ancient Greek mythology, Hermaphroditus – son of Hermes, the messenger god, and Aphrodite, goddess of love and beauty – was a beautiful youth beloved by the water nymph Salmacis, who embraced him against his will in her pool and prayed that the two would become one. ...

Bruce Jenner and the divided self

April 27, 2015

Much of what has been written and said about Bruce Jenner coming out as a transgendered woman has been derisive and ignorant, the two qualities usually going hand-in-hand. Watching his interview with Diane Sawyer on ABC’s “20/20,” I could only feel sadness. It must be terrible to spend your whole life thinking it’s wrong to be yourself.

The self is much under siege nowadays, no doubt as a backlash to our cult of narcissism. The self must be sacrificed to the good of others – critics say. Never mind that others can become a kind of tyranny that crushes the individual spirit.

I’m no libertarian, but you cannot sacrifice what you do not possess. Self-sacrifice implies a self to sacrifice. I thought the single most illuminating moment in the interview was the one in which Jenner said that stepdaughter Kim Kardashian reached out to him in support after her husband, Kanye West, told her that unless you’re happy in yourself it doesn’t matter how wonderful your wife and child are. ...

Nature teams with nurture in ‘The Professor in the Cage’

April 26, 2015

“The Professor in the Cage,” Jonathan Gottschall’s provocative new book, locates itself at the gridlocked intersection of biology and culture.

The subtitle “Why Men Fight and Why We Like to Watch” suggests another question, Why are women the nicer sex? and its corollary, Are they really?

The answers are fascinating and complex, though perhaps not as complex as his book makes them out to be.

Part of “The Professor in the Cage” is about how Gottschall, an out-of-shape, disenchanted academic, got involved in the brutal world of mixed martial arts (MMA). His personal story is less interesting, however, than his personal observations. He hits the mark, for instance, when he says that MMA is like gay porn – all those rippling, sweaty physiques grappling with one another in clutches that are at once amusing and arousing. It’s the reason I love wrestling. And I suspect – as the nude wrestling scene in “Women in Love” suggests – it gives men a license to touch one another in a way that conforms to traditional heterosexual society, as do all sports.

But why must male athletic competition be so violent – or at least carry the threat of violence? And why do we secretly – or not so secretly – find it thrilling? ...

To ‘Sir,’ with love

April 12, 2015

A big shout-out to opera star Renée Fleming, a woman after my heart.

In The New York Times’ T magazine column “Take Two,” which juxtaposes comments from unlikely duos on unusual products, she has this to say about “Sir” (Taschen, 700 smackeroos), photographer Mario Testino’s ode to men:

“I had a lot of fun looking at this. It has more six-packs than a 7-Eleven. I like that men are now being scrutinized in the way that women have been for so long.”

Her mighty opposite here – Arnold Schwarzenegger, who knows a thing or two about sculpted male bodies – added: “What I discovered in here was an extraordinary celebration of men. It’s the ideal Christmas present. If I’d spend $700 on a pair of shoes, why not on a book?”

Why indeed? Certainly, Mr. Darcy himself, Colin Firth – one of the subjects, along with George Clooney, Jude Law, Mick Jagger, Keith Richard and others – would alone be worth the price of the book. ...

Earning her stripes in the NFL

April 6, 2015

Kudos to Sarah Thomas, the first woman scheduled to become a full-time referee in the NFL. (Shannon Eastin worked as a replacement official in 2012 during the referee lockout.)

Thomas – a pharmaceutical executive and mother of three – has worked preseason games and the New Orleans Saints’ spring minicamp. Like most pioneers, she doesn’t see herself as one.

"I've always said as far as breaking the gender barrier, you never set out to do that,” she was quoted as saying in USA Today.

Does the hire smack of tokenism? Of course, it does. The NFL has a terrible rep where women are concerned so it floods the field with pink during October, Breast Cancer Awareness Month. And now it’s added a female official. Regardless of its motives, however, the league is still raising awareness.

And so will Thomas, who’ll have to earn those stripes she’ll wear. ...

Our bodies, theirselves

April 3, 2015

Freud said there are no accidents so maybe it’s no coincidence that the controversy over recently enacted (and hastily revived) RFRAs (Religious Freedom Reformation Acts) has occurred at the same moment that PBS has been airing “Cancer: The Emperor of All Maladies.”

What do they have in common? An undertone of misogyny. I’m not suggested that the series – which was alternately informative, hopeful, horrifying and depressing – was misogynistic. But rather that the way in which female cancers used to be treated suggests a kind of savage disregard for the female body, and you have to wonder if a more enlightened approach – lumpectomy rather than radical mastectomy, which turns out to be ineffectual for early stage and metastatic breast cancers alike; a moratorium on hysterectomies, which used to be a dime a dozen – has to do with the rise in the number of female physicians and surgeons. ...

Anne Boleyn and the games men play

March 16, 2015

One of the nuggets I gleaned from attending the Algonkian Writers’ Conference last December in Manhattan was that when it comes to historical romance, it’s the Tudors or bust.

It figures. Working backward, there was Elizabeth I, England’s greatest ruler; her sister, the pathetic, misguided “Bloody Mary”; their baby bro, Edward VI; and, of course, the daddy from Hell, Henry VIII, with those – count ’em – six wives. No dramatist could conjure such symmetrical marital disaster – Catherine of Aragon, annulled; Anne Boleyn, beheaded; Jane Seymour, dead in childbirth; Anne of Cleves, annulled; Katherine Howard, beheaded; and Catherine Parr, survived Henry, but wait, would remarry and, you guessed it, wind up dead in childbirth.

Historian David Starkey (“Six Wives: The Queens of Henry VIII”) once told me that of the half-dozen, Catherine of Aragon was the only one Henry ever really loved. But his quest for a son, for proof of his manhood and for liberation from papal Rome and the memory of his older brother, Arthur, who had been Catherine’s husband, drove him into the arms of the bewitching Anne Boleyn, linchpin of the six wives’ psychodrama. Did he use Anne to gain control of the Church in England or was he, as Starkey said, so in love with her that he was willing to renounce his role as Defender of the (Roman Catholic) Faith? Perhaps a bit of both?

Anne’s rise and fall is told through the eyes of Thomas Cromwell – the blacksmith’s son-turned-chancellor – in Hilary Mantel’s Booker Prize-winning novels “Wolf Hall” and “Bring Up the Bodies.” (She’s at work on the last book in the trilogy.) Naturally, PBS’ “Masterpiece” couldn’t resist. “Wolf Hall” (April 5 through May 10) dramatizes the first two books, with British theater star Mark Rylance as Cromwell, Damian Lewis (“Homeland”) as Henry and Claire Foy (“Little Dorrit”) as Anne. “Wolf Hall” – the title refers to rival Jane Seymour’s familial estate but suggests the den of wolves the Tudors were – is a daring conceit. For what makes men like Cromwell effective, their ability to manipulate and maneuver behind the scenes, is what can make them potentially boring front and center. (Imagine the story of Bill and Hillary Clinton told from the viewpoint of their accountant.) The beauty of the books and the miniseries is that we enter Cromwell’s mind to meet a man weary of and disgusted by the power games men play but unable to relinquish them. ...