The word “intellectual” has become a dirty one in our culture, and scientists, artists and academics suspect. But there is no greatness in this world without great thinking.
Stephen Hawking – the transcendent English theoretical physicist, cosmologist and mathematician, who died Wednesday, March 14 at age 76 after battling motor neuron disease his entire adult life – had, of course, a great mind, one that bridged Einstein and quantum theory...
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The #MeToo movement continues to explode, and we continue to tread gingerly through its landmine-riddled landscape.
The New York Times skewers Alec Baldwin for satirizing P-Grabber in Chief Donald J. Trump while defending filmmakers Woody Allen and James Toback, both accused of sexual abuses. Actress/author Rose McGowan – who’s been fiercely outspoken in her accusations of film producer Harvey Weinstein raping her – cuts off interviewer Christiane Amanpour before she can read a Weinstein response to McGowan’s new book, “Brave.” Museums wonder what their response should be to photographer Chuck Close, who has apologized for sexual harassment.
And yet, a woman friend of mine, a Hillary Clinton supporter whom I consider to be strong on women’s issues, wonders if we’ve gone too far ...
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We get, it is often said, the art we deserve – that is, the art we need, the art that the times demand.
That certainly could be said of the new Steven Spielberg thriller, “The Post.” The story of a First Amendment showdown between a rising newspaper, The Washington Post, and the Nixon White House, “The Post” works on several different planes – politically, professionally and personally, as Edie Demas, executive director of the Jacob Burns Film Center, noted at the screening I attended. As such the movie speaks to an era in which “fake news” and #MeToo have become buzzwords. ...
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Hindsight, they say, is 20/20. If it is, it must be with prescriptive rose-colored glasses. Because the past has been completed – successfully or otherwise – we tend to think of it as having been lived with a foregone conclusion. We forget that at the time, the past was the present, the outcome never assured.
“Darkest Hour” – an inspirational new film directed with subtle tension by Joe Wright (“Pride & Prejudice”) – recounts several weeks in May 1940 when England stood alone in a world on the brink of totalitarianism. It stars a soaring Gary Oldman, virtually unrecognizable ...
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Among the questions to emerge from the Harvey Weinstein scandal is one that human beings of conscience have been grappling with forever: Is it ethical to support the work of a scoundrel?
At first glance, the answer would appear to be simple: Art transcends biography. You wouldn’t rebuff a child because his father was a murderer, would you? So why hate the brainchild of a Weinstein or a Woody Allen – who, tellingly cautioned about a “witch hunt” against Weinstein – or a Mel Gibson or any other artist/athlete accused of heinous behavior?
But it’s more complex than that, isn’t it? ...
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There are few more individualistic activities than tennis and few more fiercely individualistic people than tennis players.
“Battle of the Sexes,” which opens Friday, Sept. 22, gives us the iconic clash between two such individuals – tennis star Billie Jean King and former champ Bobby Riggs – in a 1973 match that was both a media event and a cause célèbre in the then-rising women’s movement. (King would win 6-4, 6-3, 6-3.)
At that time, there was no LGBTQ movement, and tennis players did not make the lavish livings they do today. The men were still something of barnstormers earning little more than beer money, and the women – whom they did not necessarily treat well – made squat. ...
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Amanda Hess’ Sunday New York Times Magazine piece about our ambivalence toward anti-aging is but the latest commentary about the disconnect between ourselves and our bodies, and by “ourselves” I mean women and their bodies. It is a disconnect that affects men as well – though not to the extent that it does women.
Hess describes how Allure magazine has declared war on “anti-aging,” featuring Helen Mirren on the cover, draped in a boy-toy – the same Helen Mirren who played Cleopatra, of whom Shakespeare wrote, “Age cannot wither her nor custom stale her infinite variety.”
And yet, Hess notes, the same issue of Allure carried an ad for the new L’Oréal Paris moisturizer, part of its Age Perfect brand (of which I’m a big fan), featuring – you guessed it, Helen Mirren. ...
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