In the late-20th and early-21st centuries, an age of cultural appropriation that has seen minorities adapt and reinvent the masterpieces of Western civilization, women artists have reasserted the so-called “female gaze,” not only by creating wholly original works but by reclaiming the art historical canon, either interpolating themselves and women arts leaders into iterations of great paintings or imagining men from a woman’s perspective.
A new exhibit at the Lehman College Art Gallery explores this subject through the prism of 19th-century French art.
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