It’s a cliché in publishing that writers who are popular aren’t good and vice versa. There’s a bit of sour grapes to that notion, as if it were a consolation for those acclaimed writers who’ve never found a wide audience.
Certainly, there were those critics who pooh-poohed Anne Rice — who died Saturday, Dec. 11, at age 80 of complications from a stroke . Her prose could be purple, while her plots at times alternated between the meandering and the static. But Rice, whose 30 novels embraced the sacred (Jesus) and the profane (an S and M Sleeping Beauty trilogy, an escapist “Exit to Eden”) would create one of the most seminal novels, “Interview With the Vampire,” and characters, Lestat de Lioncourt, in American literature. By her own standards, her best-selling books (more than 150 million copies sold) were great, because they resonated with the tectonic shifts in our perceptions of gender, sexuality and race in the second half of the 20th century.
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