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Whose art is it anyway? Harvey Weinstein and the film fan

Among the questions to emerge from the Harvey Weinstein scandal is one that human beings of conscience have been grappling with forever: Is it ethical to support the work of a scoundrel?

At first glance, the answer would appear to be simple: Art transcends biography. You wouldn’t rebuff a child because his father was a murderer, would you? So why hate the brainchild of a Weinstein or a Woody Allen – who, tellingly cautioned about a “witch hunt” against Weinstein – or a Mel Gibson or any other artist/athlete accused of heinous behavior?

But it’s more complex than that, isn’t it? ...

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Men at deuce

In Anna Ziegler’s new play “The Last Match,” opening in Manhattan Oct. 24, she uses the rivalry between two male tennis players – think an American Roger Federer and an early Novak Djokovic – to tell the story of life at deuce, never advancing without retreating, never retreating without advancing.

Perhaps the reason the world is at deuce is because the people who created it – primarily men – are at deuce. (It’s the score in tennis, at 40-40, from which the player must win two points in order to win the game.)

Think about it: Most of the world’s great creations were made by men (as men like to point out as a way to explain their superiority to women). All but 49 of the 923 Nobel laureates have been men.

And yet – you know there’s always an “and yet” – they have consistently destroyed the worlds they have created. You could say that this is the human condition, but in fact it’s the male condition. ...

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The good girl and the bad boy: King vs. Riggs in ‘Battle of the Sexes’

There are few more individualistic activities than tennis and few more fiercely individualistic people than tennis players.

“Battle of the Sexes,” which opens Friday, Sept. 22, gives us the iconic clash between two such individuals – tennis star Billie Jean King and former champ Bobby Riggs – in a 1973 match that was both a media event and a cause célèbre in the then-rising women’s movement. (King would win 6-4, 6-3, 6-3.)

At that time, there was no LGBTQ movement, and tennis players did not make the lavish livings they do today. The men were still something of barnstormers earning little more than beer money, and the women – whom they did not necessarily treat well – made squat. ...

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The beauty trap, continued

Amanda Hess’ Sunday New York Times Magazine piece about our ambivalence toward anti-aging is but the latest commentary about the disconnect between ourselves and our bodies, and by “ourselves” I mean women and their bodies. It is a disconnect that affects men as well – though not to the extent that it does women.

Hess describes how Allure magazine has declared war on “anti-aging,” featuring Helen Mirren on the cover, draped in a boy-toy – the same Helen Mirren who played Cleopatra, of whom Shakespeare wrote, “Age cannot wither her nor custom stale her infinite variety.”

And yet, Hess notes, the same issue of Allure carried an ad for the new L’Oréal Paris moisturizer, part of its Age Perfect brand (of which I’m a big fan), featuring – you guessed it, Helen Mirren. ...

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Diana’s summer reign

She was born at the beginning of one summer and died toward the end of another. And like the season that framed her life – deceptively soft, blinding in its glare – hers was too short.

Thursday marks the 20th anniversary of the passing of Diana, Princess of Wales. Time is a funny thing. It heals, they say, all wounds, carrying us out on its merciless tide. But what it really is is another country. The world is a very different place now than the one Diana left. ...

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Tennis, everyone

The  qualifying rounds of the US Open are underway at the USTA Billie Jean King National Tennis Center in Flushing Meadows-Corona Park, Queens. The actual tournament – the last of the four Slams – begins with first-round play Monday, Aug. 28. In the meantime, enjoy the game’s stars in a lighter mood at Arthur Ashe Kids’ Day on Saturday, Aug. 26.

On the tournament’s infrastructure front, the big news is the temporary Louie (as in Louis Armstrong Stadium) while the United States Tennis Association readies the new Louie for its Big Apple Bow next year. On the personnel front, a number of big names will be missing this year. ...

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Trump’s clouded rearview mirror

President Donald J. Trump is a huge fan of the past, largely because he doesn’t understand it.

He fails to differentiate between the historical past – which is always with us to enlighten, inspire and, at times, to warn (those who do not remember the past are doomed, etc.) – and the social past of deathless grievances, like Trump’s feud with Rosie O’Donnell, which is deader than Jacob Marley.

We live with the past, not in it, and study its narrative, which is history itself. The study of history provides you with context and context drives perception. The greater, the wider the context, the deeper the perception. ...

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