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Cover me: American Pharoah and the search for authenticity

What Anna wants, Anna gets – particularly when it comes to a sleek, gorgeous, well-muscled male.

And what Anna Wintour, Condé Nast creative director and Vogue editor, wants right now is American Pharoah.

Ahmed Zayat, who has pledged that the Pharoah will belong to the American people, has told Bloodhorse, which covers the Thoroughbred industry, that AP will grace the cover of the next issue of the fashion bible.

"We are breaking new territory," Zayat, who operates his family's Zayat Stables, said June 10 in a podcast interview with Bloodhorse.com.

I’ll say. Anna has featured some studs in her day – Tim Tebow (shirtless), Colin Kaepernick, her fave Roger Federer, Rafael Nadal, Novak Djokovic (Speedo), Ryan Lochte (cover, with Serena Williams and Hope Solo at the beach). Now she has a soon-to-be real stud. ...

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Goodbye, Bruce. Hello, Caitlyn

And Godspeed. Reaction to Bruce Jenner’s metamorphosis into Caitlyn Jenner on the cover of Vanity Fair has been predictably all over the place and, just as predictably, says more about the commenters than it does about Caitlyn.

There’s no point in dwelling on those who think she’s sick or out for publicity. They just don’t get it.

More interesting are those comments that criticize the pinup aspect of the Annie Leibovitz cover. Let’s face it, if you’re going to transform yourself physically into the sex you believe you always were, well, then you and we want to see that transformation. As for the poster on The New York Times’ site who said that the way to be a smokin’-hot woman at 60 is to live the previous 59 years as a man, well, he – I’m sure it was a he – has a point. I’ve often said on this blog and elsewhere that men are the more beautiful, sexier and thrilling of the two traditional sexes. It’s part of the reason I write about beautiful, sexy, thrilling men in my novel series “The Games Men Play.” ...

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Deflategate: Iceberg, straight ahead

So NFL Commissioner Roger Goodell will hear Tom Brady’s appeal, despite a request from the NFL Players Association that he recuse himself.

“One of the primary responsibilities of the commissioner is to protect the integrity of the game and to do what’s right for the game of football,” Goodell said

“That’s my job. We have a process that’s been negotiated with the union that’s been in place for decades. It’s something that we’ve had in place for a long time and we’re going to do it that way.”

What planet is he on? First, there’s the NFL’s constant misuse of the word “integrity.” It means “wholeness.” In Jungian psychology, the integrated self is the self that is all of a piece. Alistair Cooke, the late, longtime host of “Masterpiece Theatre,” once said of Marilyn Monroe that she was a person of integrity – a mess off and onscreen. Cruel but you get his point: “Integrity” doesn’t mean “honesty.” It means that you’d be the same way with the president of the United States that you are with your grocer. It’s a quality that the Dalai Lama and the pope are said to have. It’s not a quality that’s usually associated with football players. What a surprise. ...

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Britney Griner, Glory Johnson and how life imitates art

Just when I think stories about gay athletes who are rivals and lovers – the subjects of my novel series “The Games Men Play” – may be preposterous comes news of the marriage of W.N.B.A. stars Britney Griner and Glory Johnson. 

Griner, the center for the Phoenix Mercury, is the league’s top blocker; Johnson, a forward for the Tulsa Shock, the league’s No. 3 rebounder. They hit it off away from the courts and, despite a bump in the relationship that resulted in both being arrested on domestic violence charges (and suspended for seven games), married on May 8 in Phoenix.

It was a story I read with great interest, because the heroes of my forthcoming second novel “The Penalty for Holding” – Quinn and Tam, rival quarterbacks – consider marriage. (Griner and Johnson were also rivals during their college years, just like Tam and Mal – the third figure in my quarterback triangle – are.)

Adding a twist to the Briner-Johnson story: Johnson is straight. ...

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‘Far From the Madding Crowd’ and the games men – and women – play

The new film of “Far From the Madding Crowd,” based on the evocative Thomas Hardy novel, has gotten mixed reviews – which is too bad. Directed by Thomas Vinterberg and adapted by David Nicholls, it is a movie of great feeling and equally great subtlety, not an easy combination to come by, with cinematography by Charlotte Bruus Christensen that captures the bucolic moodiness of England’s “Hardy country” and a haunting score by Craig Armstrong that makes excellent use of both the folk and symphonic traditions.

“Madding” is also superbly acted by a cast that conveys the emotional complexity of  an independent young woman navigating a man’s world. Bathsheba Everdene (Carey Mulligan) is the woman in question. Poor and orphaned but nonetheless well-educated, she has no inclination to marry. A turn of good fortune (her late uncle leaves her his farm) ensures she won’t have to. But if it’s true, as Jane Austen said ironically, that a single man of good fortune must be in want of a wife, then it’s equally true, as Hardy implies, that a single woman of great beauty must be in need of a husband. Before you can say “The Bachelorette,” Bathsheba’s suitors are lining up. Rising farmer-turned-down-on-his-luck shepherd Gabriel Oak (Matthias Schoenaerts) is first up, with his offer of a pet lamb and a piano. He’s kind, intelligent, spirited and hard-working – a woman’s idea of a man’s man – and since he’s played by sex symbol du jour Schoenaerts, the obvious match for Bathsheba. (Indeed, you don’t have to read past the first chapter of the novel to know this.) But Bathsheba is too young and willful to see it. She’d be happy enough to be a bride, the center of attention, as long as she didn’t have the responsibilities of a wife. That never works. ...

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Tom Brady and Alex Rodriguez: Statistics and probability

Is it merely coincidental that Gisele Bündchen skipped The Metropolitan Museum of Art gala precisely at the moment when hubby Tom Brady was about to be raked over the coals for his role in Deflategate?

What is it that they said in the Deflategate report? It’s “more probable than not” that it was a coincidence. Still, she and he have been staples on the gala’s red carpet for years. Let’s just say it was convenient that she had to attend that Chanel Cruise Seoul event half a world away.

Gala empress Anna Wintour filled in the football slot with Green Bay Packers’ quarterback Aaron Rodgers – who is not in trouble for overinflating his balls, to the chagrin of some – and his girlfriend, actress Olivia Munn, whose J. Mendel gown overwhelmed with its sleeves. (The gala’s fashion proved that less really is more. The more straightforward the gown, as in Gong Li’s black lace and marsala velvet evocation of the gala’s Chinese theme, the more stunning it was.) ...

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Tom Brady’s shadow in the sun

Paging Gisele.

Because Ms. Bündchen – a tiger wife if there ever was one – is all that stands between hubby Tom Brady and his squishy balls on the one hand and ignominy on the other.

As even the horses that ran the recent Kentucky Derby now know, a report issued by the Manhattan law firm of Paul, Weiss, Rifkind, Wharton & Garrison on behalf of the NFL has concluded that Brady was probably aware that two lower-level employees of the New England Patriots were deflating balls.

Probably? Here are excerpts of text messages between Jim McNally, the longtime locker-room attendant responsible for the air pressure in Brady’s balls, so to speak, and John Jastremski, an equipment assistant who seems to have served as a go-between...

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