I’m still trying to wrap my mind – and, more difficultly, my heart – around the presidential election. You can talk about the failure of the Democrats to appeal to working-class voters; their reliance on the Barack Obama coalition (blacks, Latinos, women, millennials), which did not hold for the Dems – at least not in great enough numbers, and that includes you, Colin Kaepernick; a certitude, a smugness even, that wasn’t justified; the role of F.B.I. director James Comey in underscoring the tightening race in the last two weeks before the election; but at the end of the day, it was all about the zeitgeist.
Donald Trump was not merely the “change” candidate, again (Remember when Obama was the change candidate?); he was the regular-guy billionaire you could sit down and have a cheeseburger with, the one who understood America’s deeply ingrained nativist, isolationist, homogenous longings. This has always been – for all our forays into wars around the world – a determinedly inward-looking country. ...
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Read MoreFreud said there were no such things as accidents so it should come as no surprise that The New York Times would carry a front page story on women who decided against reconstruction after mastectomy – complete with fascinating photographs of their flat, scarred and, in many cases, beautifully tattooed chests – at a moment that The Frick Collection in Manhattan is exhibiting “Cagnacci’s ‘Repentant Magdalene’” (through Jan. 22).
As several Times posters noted, the newspaper would not be displaying those photos had the breast cancer survivors had one or both breasts. And that’s in part because of artists like Guido Cagnacci, the Italian Baroque master whose subjects included Cleopatra and who helped sexualize the female body and female breasts in particular. ...
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Read MoreSome years ago when I was senior cultural writer for Gannett Inc., I interviewed Donald Trump via email for a story on – wait for it – leadership. Among the questions I asked was why he named the most expensive suite in the Trump Taj Mahal Casino and Resort in Atlantic City, N.J. after Alexander the Great – a passion and study of mine since childhood. His answer was typically Trumpian: “Because he’s the best, and it’s the best.”
I thought of that as I read Richard Conniff’s piece, “Donald Trump and Other Animals,” in the Week in Review section of the Sunday New York Times. In it, Conniff quotes a passage from his “The Natural History of the Rich: A Field Guide” that Trump used in the introduction to his book “Trump: Think Like A Billionaire" ...
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Read MoreOur Times Journey group of Alexandrians no sooner got acclimated to Athens than it was time to bid the city – and its mesmerizing views of the Acropolis – a brief farewell and head north to Thessaloniki, about an hour’s flight, or the distance between New York and Washington D.C.
Named for a younger half-sister of Alexander the Great – his father, the crafty, lusty Philip II, having loved much but apparently none too well – Thessaloniki is the second largest city in Greece but the main one in the misty, highland Macedonian region that was once Philip’s kingdom.
At Athens International Airport, I scored a small, hefty, well-molded head of the Acropolis Museum Alexander in a gift shop, plus a free copy of the “Greece is….Thessaloniki” magazine, with an Andy Warhol Alexander on the cover, so I was pumped. ...
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Read MoreCulture vulture that I am, I somehow missed the cultural appropriation wars that have erupted. That’s what you get for going on vacation and unplugging.
First, novelist Lionel Shriver apparently set off a firestorm at the Brisbane Writer’s Festival with a defense of artists using other people’s races, ethnicities, sexualities, etc. in their creations. Then Claudio Gatti outed the comfortable Roman translator Anita Raja as the author of the pseudonymous Elena Ferrante novels about the friendship between two poor Neapolitan girls.
Meanwhile, Bristol University cancelled a production of Giuseppe Verdi’s “Aida,” because students protested white people playing Egyptians and Ethiopians. ...
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Read MoreIt’s no accident that Warner Bros. released “Sully” on the weekend of 9/11.
The Clint Eastwood thriller – about the 2009 “Miracle on the Hudson,” in which Capt. Chesley “Sully” Sullenberger guided a US Airways airbus, crippled by a bird strike, onto the icy waters of the river, thus saving all 155 souls on board – is 9/11 in reverse or, perhaps, come full circle. Instead of terrorists piloting planes into skyscrapers, Sully (the reliably excellent Tom Hanks), assisted by co-pilot Jeff Skiles (Aaron Eckhart), sought to avert that catastrophe by heading toward the only unobstructed area, the open waters of the Hudson.
It’s giving nothing away, however, to say that the film opens with the alternative scenario. We watch the airbus pierce glass and steel with the sickening feeling that by now is all-too-familiar before we see Sully jolt awake. The alternative scenario is one of his nightmares so it doesn’t have to be ours. It is to Eastwood’s credit as a storyteller – working from a taut screenplay by Tom Komarnicki based on Sullenberger’s book, “Highest Duty” – that we see snatches of the accident and its heroic aftermath many times from many different perspectives before we see it unfold twice in real time. ...
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Read MoreIt was a beautiful day: That’s what I remember thinking. And it’s probably the first thing anyone who is old enough to remember it will tell you about it.
Seamless sky, what pilots call severe clear. Had to be. The men who brought those buildings down didn’t know how to pilot a plane beyond flying straight, so conditions had to be optimal. The day before, Sept. 10, it had rained. The next was a different story.
It had started promisingly enough. I was working on a piece about the 75th anniversary of the Chrysler Building – the favorite landmark of New Yorkers – and had a 7:30 a.m. interview with William Ivey Long, costume designer for the Broadway hit “The Producers,” whose designs for the show included a gown inspired by the building’s diadem top. Long was a terrific interview but soon excused himself for what he said was a busy day. Delighted with his remarks, I wished him joy of it. ...
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