Recently, I went to see “Barbie,” a surprisingly touching film about what it means to be human, with a cousin who collects Barbies. Afterward, the conversation at dinner drifted as it invariably does these days to former President Donald J. Trump. I explained to my cousin that whatever you may think of Trump — and she’s a conservative with a higher opinion of him than I have as a moderate independent — you must acknowledge that he is great at creating a narrative and sticking to it. That’s real power — power that is now being seriously countered with his arraignment Thursday, Aug. 3, on charges of fraud, obstruction and violation of voting rights in a federal court in Washington, D.C.
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'Oppenheimer' as a mirror for our partisan times
“Oppenheimer” is a magnificent film that paints J. Robert Oppenheimer, the so-called “father of the atom bomb,” in a more sympathetic light than his detractors would like while nevertheless exploring the blindness behind his brilliance.
Read MoreBlind ambition: The antiheroism of Robert Oppenheimer
Friday, July 21, marks the opening of two highly anticipated movies that have nothing to do with each other but have already been paired in the public consciousness, perhaps because they both ask us to consider what it means to be human in a world where people constantly grapple for power.
The two films — “Oppenheimer” and “Barbie” — have already been conflated as “Barbenheimer” (is that like “Frankenstein”?), with movie buffs planning a five-hour double feature of “Oppenheimer’s” main course and “Barbie’s” dessert. (Well, why not? After all, Barbie and J. Robert Oppenheimer were both physicists.)
I’ll have more on Barbie,“Barbie” and the male gaze in a subsequent post. But for now I’d like to consider Oppenheimer (1904-67), the scientist who spearheaded the creation of the atom bomb and whose life, lived at the nexus of ambition and conscience, would be eclipsed by his failure to understand the power dynamic.
Read MoreMoving forward: the endurance of Jacqueline Kennedy Onassis
What would Jacqueline Lee Bouvier Kennedy Onassis make of J. Randy Taraborrelli’s “Jackie: Public, Private, Secret” (St. Martin’s Press, $35, 439 pages) — out Tuesday, July 18, 10 days before what would’ve been her 94th birthday?
Read More'Vertigo' and the idea of the other
Alfred Hitchcock’s 1958 film “Vertigo” has reached what The Washington Post called in its reappraisal ‘Medicare age,’which got me thinking about my favorite movie — one that regularly appears on lists for the greatest, or one of the greatest, films to date. But is it, as The Post suggests, a story for our #MeToo times or rather a more complex tale of the human desire to project onto others our own dreams, fears and desires?
Read MoreThe challenge in letting go
Last summer on a very bad day, I attended the funeral of an affable, older relative whom I hadn’t seen in a long time. Distracted by problems at work, I made a wrong turn and arrived just as the priest was finishing the Gospel that is usually read at funeral Masses. In it, Jesus says, “I am the Resurrection and the life. Whoever believes in me. though he were dead, yet shall he live, and whoever so lives and believes in me shall never die” — complementary, mirror-image phrases, like so many throughout the New Testament, that Charles Dickens uses to brilliant effect in the denouement of his French Revolutionary novel of dissipation and redemption, “A Tale of Two Cities.”
Read MoreKing and Queen to pawn in a game of love and death
We’ve got our teacup all set for the coronation of King Charles III and Queen Camilla on Saturday, May 6, but what we’ve really been obsessing about is a distant relative of the king’s by way of another Charles — Charles I of England.
He was a direct ancestor of Louis XVI of France, whose marriage to a certain notorious Austrian archduchess is the subject of the revisionist, feminist “Marie Antoinette,” finishing its first season on PBS Sunday, May 7. Quite the royal weekend.
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