Il Sodoma's "Marriage of Alexander and Roxane" (1517), a fresco in the Villa Farnesina. Alexander and Roxane figure in Rudyard Kipling's "The Man Who Would Be King," a cautionary tale about demagoguery.
Here I am with (left to right) judge and journalist Lisa Wexler, tennis legend Billie Jean King and WAG society editor Robin Costello at a benefit for Fairfield County’s Community Foundation: The Fund for Women & Girls at the Hyatt Regency Greenwich earlier today. The Foundation, which empowers underserved girls and women to do everything from leaving abusive relationships to starting businesses, raised a projected $110,000 — $10,000 from King herself. She is like that ...
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In Larry David’s extremely awkward “Saturday Night Live” appearance a few weeks back, he worried that the recent rash of sexual predators was all Jewish – which is not true, but anyway, what I thought he was going to say was that they were all unattractive. (This was before Matt Lauer and Peter Martins, ballet master in chief of New York City Ballet, were added to the list of sexual harassers.) ...
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“What a week,” Robert Costa, moderator of PBS’ “Washington Week,” sometimes begins his broadcast. But really, he could just say that every week. Another mass shooting. Another celebrity – or 10 – accused of sexual harassment. Puerto Rico still mainly without power. It’s sort of like an evil “Groundhog Day.” ...
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The game of tennis has always served the arts brilliantly.
Combining the elegance of chess and the brutality of boxing – or should that be the brutality of chess and the elegance of boxing? – tennis relies on an individualism that appeals to the writer and a balletic motion that captivates visual artists.
The Roundabout Theatre Company production of Anna Ziegler’s new play “The Last Match” – which opens Tuesday, Oct. 24 at the Harold and Miriam Steinberg Center for Theatre in Manhattan – does not stint on the visual. ...
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In Anna Ziegler’s new play “The Last Match,” opening in Manhattan Oct. 24, she uses the rivalry between two male tennis players – think an American Roger Federer and an early Novak Djokovic – to tell the story of life at deuce, never advancing without retreating, never retreating without advancing.
Perhaps the reason the world is at deuce is because the people who created it – primarily men – are at deuce. (It’s the score in tennis, at 40-40, from which the player must win two points in order to win the game.)
Think about it: Most of the world’s great creations were made by men (as men like to point out as a way to explain their superiority to women). All but 49 of the 923 Nobel laureates have been men.
And yet – you know there’s always an “and yet” – they have consistently destroyed the worlds they have created. You could say that this is the human condition, but in fact it’s the male condition. ...
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There are few more individualistic activities than tennis and few more fiercely individualistic people than tennis players.
“Battle of the Sexes,” which opens Friday, Sept. 22, gives us the iconic clash between two such individuals – tennis star Billie Jean King and former champ Bobby Riggs – in a 1973 match that was both a media event and a cause célèbre in the then-rising women’s movement. (King would win 6-4, 6-3, 6-3.)
At that time, there was no LGBTQ movement, and tennis players did not make the lavish livings they do today. The men were still something of barnstormers earning little more than beer money, and the women – whom they did not necessarily treat well – made squat. ...
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