Years ago, I had a boss who called me into his office one afternoon to “pick my brain.” As the big bosses in the company rarely acknowledged us bottom feeders, I was surprised and flattered. I shouldn’t have been.
Turns out “picking my brain” meant two hours of haranguing me over an incident involving my colleagues and our immediate superior in the hopes that I would knuckle under and take management’s side – which I didn’t. But the boss putting the squeeze on me left me shaken to my core.
I couldn’t help but think of this as former FBI Director James Comey riveted the nation with his testimony on his relationship with President Donald J. Trump, which was by turns folksy, candid, gutsy, self-deprecating and dramatic. I recognized a fellow traveler, someone caught between doing his job and serving the boss who threatened that job. ...
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Read MoreThree years ago, I took my novel “Water Music” – the first in my series “The Games Men Play” – to the New York Rainbow Book Fair and had a blast.
The ninth annual Fair – held on Saturday at the John Jay College of Criminal Justice – proved no less exhilarating. (Pic at right, by Gina Gouveia.) ...
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Read MoreThe controversy over the faceoff between “Fearless Girl” and “Charging Bull” on Wall Street has raised all sorts of psychosexual and political implications.
Some have seen the 4-foot-girl – hands on hips, chest puffed like a sail heading into the wind – as a symbol of feminist ideals. Apparently, that’s what sponsor State Street Global Advisors, which wants to encourage more women in the boardroom, had in mind. ...
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Read MoreAs Lent ends and the Easter season begins today with Christians celebrating Jesus’ Resurrection, TV has once again presented its share of documentaries and films about Jesus’ Passion.
PBS’ “Last Days of Jesus” offers a detailed consideration of what it meant to die by crucifixion. I now no longer watch such scenes, just as I no longer watch horror movies. “Those of us who have more yesterdays than tomorrows,” as President Bill Clinton put it at the Democratic National Convention this past summer, prefer to dwell on happier circumstances. Not that we eschew suffering. Indeed, the surest way to prolong suffering is the refusal to endure it. It’s just that we no longer feel the need to go out of our way to create or endure needless suffering. ...
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Read MoreWhite House Press Secretary Sean Spicer has apologized for saying that Adolf Hitler didn’t gas his own people and, presumably, for adding that Hitler did bring them into the “Holocaust centers” – you know, the death camps with those nifty gift shops.
Spicer, of course, was awkwardly trying to set up one of the standard ploys of his boss, President Donald J. Trump, which is to throw someone under the bus by comparing that person to someone else who represents abject evil. Apparently, Trumpet has decided that Vladdie Rootin’ Tootin’ Putin’s sell-by date has arrived and thus needs to blame Russia for backing Syrian President Bashar al-Assad, who has been roundly condemned for using chemical weapons on his people. ...
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Read MoreThe painting shows a young black man in a coffin, his face a blur of color in the manner of Abstract Expressionist art – and violent death.
The departed, then, is not just someone who has succumbed to the ills that the flesh is heir to. Emmett Till was just 14 years old when he was lynched by two white men for flirting with the wife of one of them. “Open Casket, “ on view at the Whitney Biennial, is Dana Schutz’s 2016 painting of a mutilated Till in the open casket his mother, Mamie Till Bradley, insisted on. The work has drawn protests and condemnation from black artists and writers, who question the right of a white woman to appropriate a searing moment in black history. ...
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Read MoreA new exhibit at the Japan Society considers a moment in Edo culture (17th through early-19th century Japan) when the wakashū, or beautiful youth, held sway as companions for men and even women.
The New York Times has written about this from the viewpoint of our current transgender controversies, which makes sense since the show, through June 11, is titled “A Third Gender: Beautiful Youths in Japanese Prints.” But I’m more interested in the parallels to ancient Greece and what such practices say about morality seen through the scrim of history. ...
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