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Reynolds and Fisher’s mother and child reunion

Though I admired Debbie Reynolds’ and Carrie Fisher’s talents, I can’t say that I followed their careers particularly. And yet, the deaths of this mother and daughter – one day apart, the daughter’s, Fisher’s, first on Dec. 27, perhaps causing the mother’s from a broken heart– resonate with me. As the daughter of a glamorous mother who often upstaged me, I got the “Postcards From the Edge” aspect of the Debbie-Carrie relationship. But as the niece of a beloved aunt who raised me and whom I mourn so intently that I just dreamt about her the other night, I also understand the Debbie-Carrie who lived next door to each other.

The mother-daughter bond is perhaps not as fraught as the power struggle between fathers and sons but it is no doubt more intense. At its heart is the quest for control and perfection that is part of each woman’s hypercritical life. But there’s also an intimacy and, yes, a real love as mothers and daughters become neighbors, roommates and  friends. ...

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‘Uneasy lies the head…”: Leadership and ‘The Crown”

Netflix’s “The Crown” – the Brits’ most addictive-as-potato-chips offering since “Downton Abbey” – tells the story of Queen Elizabeth II (Claire Foy) from her days as a happy wife of a dashing naval lieutenant on the isle of Malta through her ascendance to the British throne on the death of her father, George VI.

Like many good narratives, its absorbing juiciness derives from familial tensions – between husbands and wives, mothers and daughters and, especially, siblings. But its real subject is one that plagues the contemporary world and whose  misunderstanding, I fear, will cost the world dearly as it veers toward demagoguery – the nature of leadership. ...

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The post-election and what I wore

The devil, they say, is in the details. And so it proved recently as I found myself serving and volleying furiously in a conversation with my Republican uncle about Barack Obama and Donald Trump. (If this had been a tennis match, it would’ve been John McEnroe and Ilie Nastase circa 1979, Madison Square Garden – don’t ask.)

Normally, I am the soul of forbearance with said uncle, who is elderly and served in the Korean Conflict – as he often reminds me. And I have a high tolerance for personal insults, being a confident person and having spent more than 35 years in a newsroom. But when someone I love or admire is attacked, my back is up. Uncle disparaged the current president, and we were off, shouting and talking over each other like a particularly maniacal Eleanor Clift and Pat Buchanan on the late, lamented “The McLaughlin Group.” (The idiosyncratic political round table was even funnier than its “Saturday Night Live” sendup.) 

Late into the dustup with Uncle, he delivered what he no doubt thought was the coup de grace: The outfit I wore to the family’s Thanksgiving gathering made me look like a bag lady. ...

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Grief as reinvention: Jackie and ‘Jackie’

"Behind every great man is a great woman”:  It’s an adage that’s been brought home to in our postfeminist age. Witness the apotheosis of Michelle Obama on the cover of the current Vogue and the new “Jackie,” with Natalie Portman transcendent as the tragic former first lady.

Indeed, her Jacqueline B. Kennedy and Jackie herself are better than director Pablo Larrain’s “Jackie.” For one thing, the movie’s music, no doubt intended to strike a discordant note, is merely jarring. It underscores other false notes. Why is the boy who plays John F. Kennedy Jr. a blond? And why does Peter Sarsgaard’s Robert F. Kennedy fail to speak with his distinctive broad Boston cadence, particularly when Portman’s Jackie speaks in her signature breathy New Yorkese? And why do we see her not once but twice in a red gown when she mainly favored white and pastel formal wear?

Perhaps this is quibbling. What “Jackie” and Portman’s Jackie do very well is locate her grief and then show us how she cycles through it, reinventing her husband, his presidency – and, thus, herself – in what remains in some ways a pyrrhic victory. ...

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Engaging Trump: Not just black and white

What should be the response of the loyal opposition to President-elect Donald Trump?

In the wake of the election shocker, we’ve seen people veer between extremes – Colin Kaepenick on the one hand, the cast of “Hamilton” on the other – when the Buddhist middle way might prove more prudent.

Kaepenick didn’t bother to vote, because neither major candidate was to his liking. This was a problem for many people. But as the Lotto saying goes, “You gotta be in it to win it.” And a vote for no one is still a vote for someone – in the most passive of ways.

Kaepernick’s non-vote smacked of the illogical and the racist.

"I think it would be hypocritical of me to vote," Kaepernick said. "I'd said from the beginning I was against oppression, I was against a system of oppression. I'm not going to show support for that system. And, to me, the oppressor isn't going to allow you to vote your way out of your oppression."

Was the system oppressive, Colin, when it enacted the Civil Rights Act? How about when Barack Obama – who, like you, is biracial – became president? ...

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Of talent and temperament: Nick Kyrgios and Tim Tebow

In his new book, “Shaken” (Waterbrook, 213 pages, $25), Tim Tebow considers the failure of his NFL career after his successful run with the Denver Broncos. He’s now trying to make it as a baseball player with the Arizona Fall League, where, once again, he’s been hailed for his good work ethic, leadership skills and clutch play but is still struggling to master the outfield. NFL legend and ESPN analyst Steve Young is among those pulling for him. But many who admire Tebow say he simply doesn’t have pro-quality aptitude.

He has, in other words, the temperament but not the talent. ...

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In memory of… Gwen Ifill (1955-2016)

I’m the same age as Gwen Ifill – the woman who made TV history with Judy Woodruff on “The PBS NewsHour” as the first female co-anchors of a network news broadcast and who died of endometrial cancer Monday in Washington D.C. – so I’m old enough to remember earlier iterations, “The MacNeil/Lehrer Report” and “The MacNeil/Lehrer NewsHour.” Both were anchored by two white men. And though Robert MacNeil and Jim Lehrer were fine journalists in the Walter Cronkite tradition, theirs were the faces I had seen since childhood.

People will tell you that affirmative action is needless and that you should only look for role models within your immediate circle, but I have to tell you that seeing two women of my vintage, including one of color, on my TV each evening, doing excellent journalism, was a comfort and a source of pride to me, a fellow journalist. I felt I could be enlightened by them without their well-groomed presences taking pride of place. It was their well-groomed minds that inspired. ...

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