Thursday, July 20 marks the anniversary of the birth of Alexander the Great in 356 B.C. in Pella, the capital of ancient Macedon, now Macedonia, a region in northern Greece.
Alexander has been an obsession of mine since childhood, when I read the legends associated with his conquests of the Persian Empire in 331 B.C. From Alexander, I learned how to navigate difficult parents and how to lead from the front – skills that would later serve me well in grappling with equally challenging bosses. Thanks to Alexander, I learned to work through pain, illness, grief. I figured if he could fight a battle with a punctured lung, I could gut life out. ...
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Read MoreAs Lent ends and the Easter season begins today with Christians celebrating Jesus’ Resurrection, TV has once again presented its share of documentaries and films about Jesus’ Passion.
PBS’ “Last Days of Jesus” offers a detailed consideration of what it meant to die by crucifixion. I now no longer watch such scenes, just as I no longer watch horror movies. “Those of us who have more yesterdays than tomorrows,” as President Bill Clinton put it at the Democratic National Convention this past summer, prefer to dwell on happier circumstances. Not that we eschew suffering. Indeed, the surest way to prolong suffering is the refusal to endure it. It’s just that we no longer feel the need to go out of our way to create or endure needless suffering. ...
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Read MoreOften in life you do something without realizing until later what it meant. When I wrote “The Penalty for Holding” (May 10, Less Than Three Press) – the second novel in my series “The Games Men Play” – I had several goals in mind. Sexy male-male romance? Check. A story that continued the series’ themes of power, dominance and rivalry? Check. A novel about leadership, the workplace and how violence in the workplace spills into everyday life? Check, check and check.
What I hadn’t counted on – what I hadn’t foreseen – was the return of isolationism that ushered in Brexit and Trump and that provides the context for the novel’s theme of belonging. And belonging is one of the great themes of our time. Who are we and where do we belong? For the answer to the first will determine the second. Or at least it should. ...
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Read MoreThe painting shows a young black man in a coffin, his face a blur of color in the manner of Abstract Expressionist art – and violent death.
The departed, then, is not just someone who has succumbed to the ills that the flesh is heir to. Emmett Till was just 14 years old when he was lynched by two white men for flirting with the wife of one of them. “Open Casket, “ on view at the Whitney Biennial, is Dana Schutz’s 2016 painting of a mutilated Till in the open casket his mother, Mamie Till Bradley, insisted on. The work has drawn protests and condemnation from black artists and writers, who question the right of a white woman to appropriate a searing moment in black history. ...
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Read MoreA new exhibit at the Japan Society considers a moment in Edo culture (17th through early-19th century Japan) when the wakashū, or beautiful youth, held sway as companions for men and even women.
The New York Times has written about this from the viewpoint of our current transgender controversies, which makes sense since the show, through June 11, is titled “A Third Gender: Beautiful Youths in Japanese Prints.” But I’m more interested in the parallels to ancient Greece and what such practices say about morality seen through the scrim of history. ...
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Read MoreThe parade of successful egotists continues – President Donald J. Trump, all-time men’s Slam winner (and recent Australian Open champ) Roger Federer and, now, record five-time Super Bowl champ and record four-time Super Bowl MVP Tom Brady. He led the New England Patriots to a come-from-behind, overtime victory over the Atlanta Falcons in Super Bowl LI, 34-28.
These three hardly need more accolades to fan the flames of pride. And while Fed may be more elegant and Brady more circumspect about it, they both have a manner about them that says with Trump, “I’m a winner, and you’re not.” ...
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Read MoreMary Tyler Moore – who died Wednesday of cardiopulmonary arrest after pneumonia at age 80 – was the Jackie of TV. And like Jacqueline Kennedy Onassis, she road the wave of feminism from chic wife and mother to career woman.
If Laura Petrie on “The Dick Van Dyke Show” was White House Jackie in Capri pants, Mary Richards on “The Mary Tyler Moore Show” was Jackie O, the Doubleday and Viking editor, a sweater draped nattily over her shoulder. But Mary was not only a career woman, she was a certain kind of working woman, one who, unlike Jackie, had to go home and cook and face being alone. ...
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