The Metropolitan Opera’s new production of Giacomo Puccini’s “Tosca” – an opera about sexual harassment – was rocked by that now seemingly ubiquitous phenomenon. Already reeling from the loss of the original stars and conductor, the production took a giant step back when the second conductor, former music director James Levine, was hit with sexual abuse allegations and suspended a little less than a month before the New Year’s Eve premiere. Ten days after Levine’s suspension, Bryn Terfel, scheduled to play the villain, withdrew, citing vocal fatigue.
Sometimes, however, you get not what you want but what was meant – or who was meant. That The Met pulled off this ‘Tosca’ is a relief. That it’s as wonderful as it is, is nothing short of a miracle. ...
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