Engaging Trump: Not just black and white

November 21, 2016

What should be the response of the loyal opposition to President-elect Donald Trump?

In the wake of the election shocker, we’ve seen people veer between extremes – Colin Kaepenick on the one hand, the cast of “Hamilton” on the other – when the Buddhist middle way might prove more prudent.

Kaepenick didn’t bother to vote, because neither major candidate was to his liking. This was a problem for many people. But as the Lotto saying goes, “You gotta be in it to win it.” And a vote for no one is still a vote for someone – in the most passive of ways.

Kaepernick’s non-vote smacked of the illogical and the racist.

"I think it would be hypocritical of me to vote," Kaepernick said. "I'd said from the beginning I was against oppression, I was against a system of oppression. I'm not going to show support for that system. And, to me, the oppressor isn't going to allow you to vote your way out of your oppression."

Was the system oppressive, Colin, when it enacted the Civil Rights Act? How about when Barack Obama – who, like you, is biracial – became president? ...

The remains of the day

November 15, 2016

I’m still trying to wrap my mind – and, more difficultly, my heart – around the presidential election. You can talk about the failure of the Democrats to appeal to working-class voters; their reliance on the Barack Obama coalition (blacks, Latinos, women, millennials), which did not hold for the Dems – at least not in great enough numbers, and that includes you, Colin Kaepernick; a certitude, a smugness even, that wasn’t justified; the role of F.B.I. director James Comey in underscoring the tightening race in the last two weeks before the election; but at the end of the day, it was all about the zeitgeist.

Donald Trump was not merely the “change” candidate, again (Remember when Obama was the change candidate?); he was the regular-guy billionaire you could sit down and have a cheeseburger with, the one who understood America’s deeply ingrained nativist, isolationist, homogenous longings. This has always been – for all our forays into wars around the world – a determinedly inward-looking country. ...

Kasich goes his own way

July 18, 2016

Once upon a time, Gov. Krispy Kreme was my CPB – Chief Pretend Boyfriend. I imagined myself under the boardwalk down by the sea-ee-eeee yeah, on a blanket with my baby, swooning in passion as the waves crashed upon our bodies to the beat of The Boss blaring from my Hello Kitty boom box. We were like Deborah Kerr and Burt Lancaster in “From Here to Eternity” – if Deborah Kerr and Burt Lancaster were two beached whales, that is.

But what with Bridgegate and the capitulation to The Donald, it’s become harder to sustain the fantasy of being with my tubby little Luv Guv. So I banished Gov. Krispy Kreme from my heart, and instead promoted my WPB (Weekend Pretend Boyfriend), Rafael Nadal, to CPB status. ...

His way

December 12, 2015

With virtually everyone weighing in on Ol’ Blue Eyes 100th birthday Saturday, Dec. 12, I thought I’d put in my two cents since I covered him live and from a distance for Gannett.

Any discussion of Frank Sinatra begins and ends with talent. His was deep, varied and wrapped in a complex personality. Begin with the Voice – distinctive, limpid and punctuated by the impeccable phrasing and superb breath control he learned from bandleader Tommy Dorsey’s trombone playing. Throw in his dancing – a talent people don’t generally associate with Sinatra. But his was fluid and fleet. (See “Anchors Aweigh” or “On the Town.”) ...

Paris burning

November 15, 2015

There is a moment in “Casablanca” in which Resistance leader Victor Laszlo (Paul Henreid) – having escaped from a Nazi concentration camp – confronts a group of German officers in Rick’s Café Américain through music. The Germans are loudly, arrogantly singing “Die Wacht am Rhein,” an anthem that has its roots in French-German antagonism, when Victor orders the house band to strike up “La Marseillaise,” the French national anthem, to which club owner Rick Blaine (Humphrey Bogart) acquiesces. One by one the club patrons rise and join in, all but Victor’s wife – and Rick’s former lover – Ilsa Lund (Ingrid Bergman). As the others sing lustily, she sits thinking and marveling at all that has been lost and yet still remains.

It is one of the most moving moments in the history of cinema, one I couldn’t help but flashing on as the City of Light was plunged into the heart of darkness. The fans leaving the Stade de France – where one in a series of coordinated ISIS attacks took place on Friday the 13th – burst into “La Marseillaise.” The exchange students in Manhattan’s Union Square held hands as they sang it that night. And Placido Domingo led The Metropolitan Opera Chorus in it at Lincoln Center Saturday afternoon. It, too, is a symbol of all that has been lost and yet still remains. ...

Jessica Springsteen: She’s ‘the Boss’

September 15, 2014

Another Sunday, another equestrian event, this time the $200,000 American Gold Cup and Longines World Cup Qualifier CSI4* - W, presented at Old Salem Farm in North Salem Sept 14 by the farm and Stadium Jumping Inc.

The event, which capped five days of competition, saw Jessica Springsteen of her family’s Stone Hill Farm, lead an American sweep. Aboard her equally superb mount, Vindicat, Springsteen was flawless riding early in the draw and combined precision with speed in the jump-off to determine the winner among the immaculate riders. Laura Kraut out of Stars & Stripes road aggressively to give her a run for her money aboard Andretti. (Aren’t these horses well-named?) Katherine Dinan, riding Nougat du Vallet for Grant Road Partners LLC, captured the bronze.

Springsteen – yes, she’s the daughter of Bruce Springsteen and Patti Scialfa – has been trained by one of the best, Old Salem head trainer Frank Madden. ...

Is new PBS series a ‘Vicious’ stereotype?

June 29, 2014

In the show “Vicious,” which bows on PBS Sunday, June 29, Sir Derek Jacobi and Sir Ian McKellen play two bitchy old queens, for want of a better description – indeed the Britcom was originally titled “Vicious Old Queens” – who’ve been lovers for 50 years.

Both are among the greatest actors of this or any century and long out of the closet. And the series was picked up in its native England for a second season. But some critics complained – and some here wonder – whether it plays into gay stereotypes, or whether we’re all too sensitive to political correctness.

“It’s actually a sign that we’ve all matured, and now it’s perfectly respectable to have an exaggerated, farcical representation of two people who are gay,” McKellen said in Dave Itzkoff’s piece for the June 29 New York Times’ Arts & Leisure section. “And for us to accept that they can be figures of fun, just in the same way as a farce about straight people would be.”

Maybe so, but I asked myself...