Much has been made about how Sofia Coppola’s “The Beguiled” is a feminist reimagining of a 1971 Clint Eastwood movie that was itself an adaptation of Thomas P. Cullinan’s Southern Gothic novel, “A Painted Devil.” But the well-crafted remake turns out to be less about feminism and the female perspective than about the sacrifice of the individual – male or female – to the survival of the group. ...
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Occam’s Razor is a philosophical principle attributed to the medieval English Franciscan friar William of Ockham that basically says that the simplest explanation is probably the correct one.
I couldn’t help but think of this with regard to the brouhaha over Montana congressional candidate Greg Gianforte body-slamming the reporter who dared question him about his views on health care. Everyone is up in arms about the disrespect for the First Amendment and the Fourth Estate and I, as a journalist, concur. ...
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What can you say about the past week in Washington D.C. except that God is the best screenwriter. I mean, who else could come up with such a beta-ameloid and tau tangle of plot twists and turns replete with a depth of characters – which is not the same as depth of character.
In the latest scene in our saga, Don Donald Trumpet – cue “The Godfather” theme – had sought an oath of loyalty from would-be consigliere James Comey. But Comey had demurred, necessitating his “termination.” ...
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As Lent ends and the Easter season begins today with Christians celebrating Jesus’ Resurrection, TV has once again presented its share of documentaries and films about Jesus’ Passion.
PBS’ “Last Days of Jesus” offers a detailed consideration of what it meant to die by crucifixion. I now no longer watch such scenes, just as I no longer watch horror movies. “Those of us who have more yesterdays than tomorrows,” as President Bill Clinton put it at the Democratic National Convention this past summer, prefer to dwell on happier circumstances. Not that we eschew suffering. Indeed, the surest way to prolong suffering is the refusal to endure it. It’s just that we no longer feel the need to go out of our way to create or endure needless suffering. ...
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The painting shows a young black man in a coffin, his face a blur of color in the manner of Abstract Expressionist art – and violent death.
The departed, then, is not just someone who has succumbed to the ills that the flesh is heir to. Emmett Till was just 14 years old when he was lynched by two white men for flirting with the wife of one of them. “Open Casket, “ on view at the Whitney Biennial, is Dana Schutz’s 2016 painting of a mutilated Till in the open casket his mother, Mamie Till Bradley, insisted on. The work has drawn protests and condemnation from black artists and writers, who question the right of a white woman to appropriate a searing moment in black history. ...
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A shoutout to the new film version of “Beauty and the Beast,” which proves you can build on previous iterations and make something that is related but individual.
Of the three Walt Disney versions using Alan Menken’s score – which also include an acclaimed animated movie and a Broadway musical – this latest interpretation is by far the most adult (although kids will still enjoy it). ...
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Well, I think we have arrived at the moment in the romance or honeymoon when the lover realizes that the beloved may be just a teensy-weensy bit unhinged.
In other words, we’re Michael Douglas, caught in a relationship with a dramatic blonde who just “won’t be ignored.”
President Donald J. Trump rails in print, online and on TV at the information gatherers – the intelligence community and the press – for his “from Russia with love” scandal that sent Lt. Gen. Michael Flynn from Mr. “Lock Her Up” to Mr. “Should We Lock Him Up?” But the intelligence community and the press are merely the mirrors of his debacle. He’s not sorry his cohorts colluded with the Ruskies. He’s sorry they got caught. So he blames the whistleblowers and the messengers. But the person he’s really mad at is himself. Sad, he would say. ...
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