The devil, they say, is in the details. And so it proved recently as I found myself serving and volleying furiously in a conversation with my Republican uncle about Barack Obama and Donald Trump. (If this had been a tennis match, it would’ve been John McEnroe and Ilie Nastase circa 1979, Madison Square Garden – don’t ask.)
Normally, I am the soul of forbearance with said uncle, who is elderly and served in the Korean Conflict – as he often reminds me. And I have a high tolerance for personal insults, being a confident person and having spent more than 35 years in a newsroom. But when someone I love or admire is attacked, my back is up. Uncle disparaged the current president, and we were off, shouting and talking over each other like a particularly maniacal Eleanor Clift and Pat Buchanan on the late, lamented “The McLaughlin Group.” (The idiosyncratic political round table was even funnier than its “Saturday Night Live” sendup.)
Late into the dustup with Uncle, he delivered what he no doubt thought was the coup de grace: The outfit I wore to the family’s Thanksgiving gathering made me look like a bag lady. ...
Read more
Read More
With the recent death of Fidel Castro – and the return of “The Hollow Crown” series to PBS, based on Shakespeare’s Henry and Richard histories – my thoughts turn to Vergina, the highlight of My Big Fat Greek Odyssey and a place were leaders were made and unmade.
It was here in the ancient capital of Aigai that Philip II was assassinated on his daughter Cleopatra’s wedding day in a kind of “Godfather” moment. It was here that his son and Cleopatra’s full brother, Alexander, became king. And it was here that the ancient burial mounds of kings of Macedon were unearthed by archaeologist Manolis Andronokis in 1977.
Today, a museum sits on the site, with another coming. We arrived on a rainy morning and were immediately delivered into a world that is overwhelming. This is a dark space that throws the treasures it protects into dramatic relief. Crowns of gold leaves. ...
Read more
Read More
"Behind every great man is a great woman”: It’s an adage that’s been brought home to in our postfeminist age. Witness the apotheosis of Michelle Obama on the cover of the current Vogue and the new “Jackie,” with Natalie Portman transcendent as the tragic former first lady.
Indeed, her Jacqueline B. Kennedy and Jackie herself are better than director Pablo Larrain’s “Jackie.” For one thing, the movie’s music, no doubt intended to strike a discordant note, is merely jarring. It underscores other false notes. Why is the boy who plays John F. Kennedy Jr. a blond? And why does Peter Sarsgaard’s Robert F. Kennedy fail to speak with his distinctive broad Boston cadence, particularly when Portman’s Jackie speaks in her signature breathy New Yorkese? And why do we see her not once but twice in a red gown when she mainly favored white and pastel formal wear?
Perhaps this is quibbling. What “Jackie” and Portman’s Jackie do very well is locate her grief and then show us how she cycles through it, reinventing her husband, his presidency – and, thus, herself – in what remains in some ways a pyrrhic victory. ...
Read more
Read More
The Bookends column of The New York Times Book Review – which each week poses a provocative question that two writers then answer in essay form, often offering diametrically opposed viewpoints – had a goodie for Thanksgiving weekend: “Are domestic responsibilities at odds with becoming a great artist?”
It’s a question I’ve wrestled with periodically but particularly at holiday time when gathering with married family members makes me acutely aware of my singleton status. I often suspect that the invitations are accompanied by a tacit, “Poor thing, what else would she do, where else would she go?” as much as by a genuine desire to see me. And, indeed, if this were the 19th-century such a woman would be an object of pity, Jane Austen notwithstanding. ...
Read more
Read More
Freud said there were no such things as accidents so it should come as no surprise that The New York Times would carry a front page story on women who decided against reconstruction after mastectomy – complete with fascinating photographs of their flat, scarred and, in many cases, beautifully tattooed chests – at a moment that The Frick Collection in Manhattan is exhibiting “Cagnacci’s ‘Repentant Magdalene’” (through Jan. 22).
As several Times posters noted, the newspaper would not be displaying those photos had the breast cancer survivors had one or both breasts. And that’s in part because of artists like Guido Cagnacci, the Italian Baroque master whose subjects included Cleopatra and who helped sexualize the female body and female breasts in particular. ...
Read more
Read More
Some years ago when I was senior cultural writer for Gannett Inc., I interviewed Donald Trump via email for a story on – wait for it – leadership. Among the questions I asked was why he named the most expensive suite in the Trump Taj Mahal Casino and Resort in Atlantic City, N.J. after Alexander the Great – a passion and study of mine since childhood. His answer was typically Trumpian: “Because he’s the best, and it’s the best.”
I thought of that as I read Richard Conniff’s piece, “Donald Trump and Other Animals,” in the Week in Review section of the Sunday New York Times. In it, Conniff quotes a passage from his “The Natural History of the Rich: A Field Guide” that Trump used in the introduction to his book “Trump: Think Like A Billionaire" ...
Read more
Read More
Our Times Journey group of Alexandrians no sooner got acclimated to Athens than it was time to bid the city – and its mesmerizing views of the Acropolis – a brief farewell and head north to Thessaloniki, about an hour’s flight, or the distance between New York and Washington D.C.
Named for a younger half-sister of Alexander the Great – his father, the crafty, lusty Philip II, having loved much but apparently none too well – Thessaloniki is the second largest city in Greece but the main one in the misty, highland Macedonian region that was once Philip’s kingdom.
At Athens International Airport, I scored a small, hefty, well-molded head of the Acropolis Museum Alexander in a gift shop, plus a free copy of the “Greece is….Thessaloniki” magazine, with an Andy Warhol Alexander on the cover, so I was pumped. ...
Read more
Read More