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Deflategate: Iceberg, straight ahead

So NFL Commissioner Roger Goodell will hear Tom Brady’s appeal, despite a request from the NFL Players Association that he recuse himself.

“One of the primary responsibilities of the commissioner is to protect the integrity of the game and to do what’s right for the game of football,” Goodell said

“That’s my job. We have a process that’s been negotiated with the union that’s been in place for decades. It’s something that we’ve had in place for a long time and we’re going to do it that way.”

What planet is he on? First, there’s the NFL’s constant misuse of the word “integrity.” It means “wholeness.” In Jungian psychology, the integrated self is the self that is all of a piece. Alistair Cooke, the late, longtime host of “Masterpiece Theatre,” once said of Marilyn Monroe that she was a person of integrity – a mess off and onscreen. Cruel but you get his point: “Integrity” doesn’t mean “honesty.” It means that you’d be the same way with the president of the United States that you are with your grocer. It’s a quality that the Dalai Lama and the pope are said to have. It’s not a quality that’s usually associated with football players. What a surprise. ...

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Anne Boleyn and the games men play

One of the nuggets I gleaned from attending the Algonkian Writers’ Conference last December in Manhattan was that when it comes to historical romance, it’s the Tudors or bust.

It figures. Working backward, there was Elizabeth I, England’s greatest ruler; her sister, the pathetic, misguided “Bloody Mary”; their baby bro, Edward VI; and, of course, the daddy from Hell, Henry VIII, with those – count ’em – six wives. No dramatist could conjure such symmetrical marital disaster – Catherine of Aragon, annulled; Anne Boleyn, beheaded; Jane Seymour, dead in childbirth; Anne of Cleves, annulled; Katherine Howard, beheaded; and Catherine Parr, survived Henry, but wait, would remarry and, you guessed it, wind up dead in childbirth.

Historian David Starkey (“Six Wives: The Queens of Henry VIII”) once told me that of the half-dozen, Catherine of Aragon was the only one Henry ever really loved. But his quest for a son, for proof of his manhood and for liberation from papal Rome and the memory of his older brother, Arthur, who had been Catherine’s husband, drove him into the arms of the bewitching Anne Boleyn, linchpin of the six wives’ psychodrama. Did he use Anne to gain control of the Church in England or was he, as Starkey said, so in love with her that he was willing to renounce his role as Defender of the (Roman Catholic) Faith? Perhaps a bit of both?

Anne’s rise and fall is told through the eyes of Thomas Cromwell – the blacksmith’s son-turned-chancellor – in Hilary Mantel’s Booker Prize-winning novels “Wolf Hall” and “Bring Up the Bodies.” (She’s at work on the last book in the trilogy.) Naturally, PBS’ “Masterpiece” couldn’t resist. “Wolf Hall” (April 5 through May 10) dramatizes the first two books, with British theater star Mark Rylance as Cromwell, Damian Lewis (“Homeland”) as Henry and Claire Foy (“Little Dorrit”) as Anne. “Wolf Hall” – the title refers to rival Jane Seymour’s familial estate but suggests the den of wolves the Tudors were – is a daring conceit. For what makes men like Cromwell effective, their ability to manipulate and maneuver behind the scenes, is what can make them potentially boring front and center.  (Imagine the story of Bill and Hillary Clinton told from the viewpoint of their accountant.) The beauty of the books and the miniseries is that we enter Cromwell’s mind to meet a man weary of and disgusted by the power games men play but unable to relinquish them. ...

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‘Shipping’ news

Still checking out the newly redesigned New York Times Magazine – so far, so good. But I was excited to see a page on “shipping” in the column Search Results by Jenna Wortham. And no, it wasn’t a column about Fed Ex.

Shipping is about relationshipping, or a romance between characters who are not otherwise romantically linked, such as Benedict Cumberbatch’s Sherlock Holmes and Martin Freeman’s Dr. John Watson on PBS’ “Sherlock.” (Drawings of them from the Tumblr website are featured on the Search Results page.)

Shipping, then, is the umbrella term for things like slash – gay pairings of characters who were not originally gay – and slash in turn includes male/male romance, which is where I come in. Though the characters in my series “The Games Men Play” – the swimmers and tennis players in “Water Music” and the football players in the forthcoming “The Penalty for Holding” – are entirely fictional, I won’t pretend that I wasn’t influenced by male/male romances I read on the Internet that either used real people (called RPF or real person fiction) or well-known fictional characters. ...

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A-Rod, Ray Rice and the game of ‘Who’s Sorry Now?’

Cue Connie Francis. In this “the winter of our discontent” – the season of 90-inch snowfalls, Southern ice, broken water pipes and equally shattered hearts – the lament of the woman with the catch in her voice and a torch-song life to match would seem most appropriate.

Really, it’s as if we’re all stuck in “Dr. Zhivago” – without Omar Sharif.

In this “region of ice” – thank you, Joyce Carol Oates – everyone is sorry. Ray Rice is sorry for cold-cocking his then wife-to-be, Janay Palmer, issuing an apology almost a year to the date of his Valentine’s Day (image) Massacre.  (Could the holiday of hearts have been the inspiration?)

Hot on Ra-Ri’s Achilles heels comes A-Rod and his handwritten apology for steroid abuse and – the thing that always does you in more than the transgression itself – lying about it.

And speaking of lying, opprobrium and ridicule continue to snow down on disgraced anchorman Brian Williams for aggrandizing his role in the Iraq War – although Jerry Seinfeld’s line on the SNL 40th anniversary show about Williams being part of the original “Saturday Night Live” cast was one of the subtler digs. The irony is that the talk show-minded Williams probably counted as friends many of the people now making fun at his expense. Ouch.

Let’s just say Williams should be glad that he’s not A-Rod. The disdain heaped on him by The New York Times’ columnist Tyler Kepner is typical of the way in which the once and apparently future New York Yankee is now viewed. There are two schools of thought on this. One says that justice is justice and compassion, like patience, has its limits, particularly as said limited patience is often accompanied by the sneaking suspicion that the contrite are not all that contrite but actually seeking something less noble than the epic redemption found in Joseph Conrad’s “Lord Jim,” say like a return to the Yanks or the NFL. (It reminds you of the moment in “Gone With the Wind” in which Rhett Butler tells Scarlett O’Hara that she’s like the thief who isn’t sorry for what he’s done but is awfully sorry he got caught.) ...

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The road warrior

What a terrible week for journalists. The Brian Williams debacle. Jon Stewart’s departure from “The Daily Show. “60 Minutes” correspondent Bob Simon’s death in a car crash. Media columnist David Carr’s fatal collapse in The New York Times newsroom.  

What I want to touch on here is Simon’s death, for at a moment when Williams is being castigated for exaggerating his war correspondent cred, Simon was the real deal. Vietnam. The Yom Kippur War. Tiananmen Square. The Persian Gulf War, in which he and four members of his TV crew were held in Iraq, an experience Simon wrote about in his book “Forty Days.” How ironic that a man who survived a dangerous professional life abroad should die on the streets of New York, the city in which he was born and raised, although maybe it’s not so ironic when you consider the livery driver’s rap sheet.

But this is a sports/culture blog, and so what I’d like to leave you with is another side of Simon, who profiled Novak Djokovic for “60 Minutes” on March 27, 2012. ...

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Michael Sam’s out (of the NFL) – for now

So in the end after all the hoopla, Michael Sam – the first openly gay player in the NFL (almost) – didn’t make the cut with the St. Louis Rams. 

There are just so many ways to look at this. How convenient for the those who can sigh with relief and say, “Hey, we tried but he just wasn’t good enough.” How vindicating for the skeptics, who will say, “He was such a lightweight to begin with. The only reason he got a shot was because he’s gay.”

But how sad for those of us who’d like to see the Sams and the Tim Tebows of the world find their places in the NFL sun regardless of the imperfections of their (still considerable) skills and their sexual or religious persuasions.

Some day, we won’t have to judge people by anything but those skills and what the Rev. Dr. Martin Luther King Jr. called “the content of their character” – which in Sam’s case seems to be class all the way, and which is more than you can say for the Ray Rices of the game. ...

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Lassie came home

Like a star who’s found new life in the age of the Internet, Lassie’s on the comeback trail as pitchdog and charity ambassador. And I’m among the millions who are thrilled.

As with many a boomer, I grew up with the TV series (1954-73), still in syndication, and the various movies that found their way to the tube. And, not surprisingly, I had a Lassie and later on Lassie 2.0, whom we called Sassy. (Yes, I know, lame, but I loved that dog, who was a rescue, and all the animals we had and ah!, don’t get me started.)

I also had the pleasure of interviewing Bob Weatherwax – son of dog trainer Rudd Weatherwax – whose pooch, Pal, played “Lassie” in the 1943 film “Lassie Come Home.” Bob told me fascinating stuff about how trainers use physical commands to elicit seemingly emotional responses from canine actors. He also confirmed what is one of the most intriguing aspects of Lassie...

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