Il Sodoma's "Marriage of Alexander and Roxane" (1517), a fresco in the Villa Farnesina. Alexander and Roxane figure in Rudyard Kipling's "The Man Who Would Be King," a cautionary tale about demagoguery.
The Fresno Bee columnist Victor Davis Hanson has written a column comparing President Donald J. Trump’s slash-and-burn style with the Greco-Macedonian conqueror of the Persian Empire, Alexander the Great, cutting the Gordion knot impatiently with his sword, thus ensuring the prophecy that whoever did so would become lord of Asia.
Hanson’s gotten some bristling responses from history buffs, and my first thought was to lend my voice to the chorus, being rather protective of Alexander myself. More than anything I wanted to say: “I knew Alexander. Alexander was a friend of mine. Trump, you’re no Alexander.” But the more I thought about it, the more I realized that the issue is deeper than Hanson and his critics might’ve realized. ...
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Christianity teaches you that there’s no Resurrection without the Passion – no triumph without the suffering of the cross.
But then, Jesus never met President Donald J. Trumpet.
On Easter Sunday – which celebrated the Resurrection of Jesus, the central feast of Christianity, when God’s love for man conquered the grave – it was all doom and gloom from El Presidente as he once again proclaimed DACA, the Deferred Action for Childhood Arrivals that buttresses those who came here illegally through no fault of their own, dead; and blamed two of his favorite whipping boys for it, Mexico and the Democrats. ...
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In the through-the-looking-glass world of Trumpian lunacy, it was perhaps inevitable that President Donald J. Trumpet should tilt his lance at one of the corporations that he was supposedly trying to help with his tax cuts and defend a business that has been laying off the very kinds of workers he swore to protect.
But then, little makes sense about Donnie Two Scoops’ attack on behemoth Amazon. ...
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The continuing Revolving Door Policy of the Trump Administration has thrown the systemic failure of Alexandrian leadership – leadership from the front – into sharp relief.
President Donald J. Trumpet has surrounded himself with Trumpettes – yes-men and, to a lesser extent, yes-women – and distanced himself from the No, No, Nanettes. Which is odd, considering his professed love of chaos. Wouldn’t you want some tension, some conflict? ...
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The fog of war – or of “advising and assisting,” as every student of the Vietnam War knows – is such that the truth of what happened isn’t immediately apparent. What is apparent is that Trump handled the situation’s aftermath with less than Alexandrian leadership, first by not commenting on it for more than a week and ultimately by saying he did not “specifically” authorize it. (Dude, you are the president. You are responsible for everything that happens in your administration.)
Then he got involved in a typically Trumpian tone deaf controversy with Sgt. La David Johnson’s widow, in which he consoled her by saying that this was what her husband “signed up for. But I guess it still hurts.” ...
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I must confess to a certain smugness as the debate regarding the removal of Confederate statuary has taken on an aesthetic perspective. For years, I have endured the tacit, passive-aggressive notion from some newspaper colleagues and even bosses that my job as a cultural writer was not as important as those of the political and municipal writers and even the sports reporters. (Indeed, I lost that job partly because it was considered of lesser significance.)
But the arts – somewhat like religion and the family – are the refuge of the desperate and the inconsolable. Unfortunately for the arts, they are a refuge that their seekers often do not fully understand.
Some of my colleagues in my present job as an editor wonder about the artistic value that may be lost in the removal of the Confederate statues. No less an art lover than President Donald J. Trump bemoaned “the beauty that is being taken out of our cities, towns and parks.”
But are these works beautiful and, more to the point, are they art? ...
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