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Eugène Delacroix’s “Medea About to Murder Her Children” (1862), oil painting. Musée du Louvre. The ancient Greek myth — the subject of Luigi Cherubini’s “Medea” at The Metropolitan Opera — has also been misinterpreted, most recently in Maureen Dowd’s column on Vladimir Putin.

Our crisis of critical thinking and leadership

October 6, 2022

In his perceptive eulogy for Queen Elizabeth II, Justin Welby, archbishop of Canterbury, observed: “People of loving service are rare in any walk of life. Leaders of loving service are still rarer.”

Ain’t that the truth. At the risk of sounding like the hammer always in search of a nail, I must nonetheless note once again that we are in an increasing crisis of leadership, from Vladimir Putin’s bungling attempts to conquer Ukraine, which would be laughable if they weren’t so horrific and dangerous, to the ham-fisted handling of Miami Dolphins’ quarterback Tua Tagovailoa’s concussion. (The doctor/consultant who cleared him to play was fired. Really? The team’s front office and ownership should all be fired.

What does it mean to be a leader? it means you are a steward of everything and everyone in your care, a servant of others. It means you take responsibility, even when you are not directly involved in the action. Say what you want about QEII, put she saw herself as a steward, one who remained on the job till her dying day.

For most, however, it’s me, me, me all the time, and it doesn’t help that people don’t really understand this, because they have a limited understanding of culture.

New York in the time of Covid

September 30, 2021

“So, how was the city?” my hairdresser asked.

I was telling her how my cousin who is also my goddaughter had graciously offered to take me on an impromptu adventure last Saturday evening to The Metropolitan Museum of Art in Manhattan for The Costume Institute’s “In America: A Lexicon of Fashion,” which she, a fashionista by vocation and avocation, was longing to see.

How was the city? Something of a foreign country, but then, as Ric Burns’ “New York: A Documentary Film” (1999-2003) noted, it has always been a place that looked outward to the world rather than to the rest of the nation, particularly to Europe. That internationalism cost it dearly a year ago as the pandemic spread from European visitors throughout the city, where 34,000 people died and thousands more fled.

Against political correctness (with a caveat)

April 27, 2019

My cousin-hosts served up an intense political discussion along with delicious herb-crusted lamb chops for Easter dinner. As with most American families, mine is made up of Democrats and Republicans, Trumpettes and never-Trumpers. Me, I’m a moderate-independent, although I caucus with the Dems, so to speak.

About the only thing we all agree on is that we’re lifelong Yankee fans. So what did I, they wondered, think of the New York Yankees banning Kate Smith’s rendition of “God Bless America” because she sang a song about “darkies” that Paul Robeson, the great African-American actor-singer, also sang?

The Met’s #MeToo moment – ‘Tosca’

January 30, 2018

The Metropolitan Opera’s new production of Giacomo Puccini’s “Tosca” – an opera about sexual harassment – was rocked by that now seemingly ubiquitous phenomenon. Already reeling from the loss of the original stars and conductor, the production took a giant step back when the second conductor, former music director James Levine, was hit with sexual abuse allegations and suspended a little less than a month before the New Year’s Eve premiere. Ten days after Levine’s suspension, Bryn Terfel, scheduled to play the villain, withdrew, citing vocal fatigue.

Sometimes, however, you get not what you want but what was meant – or who was meant. That The Met pulled off this ‘Tosca’ is a relief. That it’s as wonderful as it is, is nothing short of a miracle. ...

The setting of a sun god

January 2, 2018

There were no less than three sexual harassment stories in Tuesday’s New York Times.

A story headlined “300 Strong: Hollywood Women Unite to Fight Harassment” detailed the agenda of the new Time’s Up initiative, which includes a legal defense fund, already backed by $13 million in donations, to protect underprivileged women “from sexual misconduct and the fallout from reporting it.” The initiative is also calling for women to turn the Golden Globes’ red carpet Sunday into a bully pulpit as they don basic black to talk about the sexual harassment issue instead of what they’re wearing. ...

“The Death of Klinghoffer” and the beauty of fiction

June 27, 2014

Been in a bit of a valley lately, and at such moments it helps to see who might be worse off. Ah, there we have it – The Metropolitan Opera. Its offices have been vandalized. It’s in tough contract negotiations with 15 unions. And it recently cancelled the fall simulcast of John Adams’ “The Death of Klinghoffer” into movie theaters worldwide after some Jewish groups protested the work might spark anti-Semitism.

“Klinghoffer” is based on the 1985 hijacking of the ship the Achille Lauro by the Palestinian Liberation Front. The hijackers killed Leon Klinghoffer, a Jewish-American passenger, then forced crew members to dump his body overboard. Even writing this years later brings back all the horror of it.

Adams’ opera, with a libretto by Alice Goodman, gives voice to both Klinghoffer and the terrorists. Some think the work anti-Semitic; others that it gives anti-Semitism an excuse. It has been controversial since it debuted in Brussels in 1991 and has caused a great deal of pain to Klinghoffer’s two surviving daughters.

My own view is that art should have a chance.

Does this (pants) role make me look fat?

May 27, 2014

“I hate looksism,” I told my friends the other night at dinner, though truth be told, I’m as guilty of it as the next person.

I was reminded of this while reading an article in the May 24 edition of The New York Times’ Arts section titled, “What Matters More, the Singer’s Shape, or Her Sound?”, in which critics Anthony Tommasini and Corinna da Fonseca-Wollheim spoke with reporter Michael Cooper about the brouhaha over Tara Erraught’s appearance – emphasis on the word “appearance” – as Octavian in the Glyndebourne music festival’s production of Richard Strauss’ “Der Rosenkavalier.”

For the uninitiated, “Der Rosenkavalier” is an easy-on–the-eyes-and -ears opera about an older woman learning to let go of her young lover. (It has a justly famous waltz that makes gorgeous use of sequential phrases, played by the orchestra’s string section, which George Balanchine used to cap off his glittering ballet “Vienna Waltzes.”)

The older woman, called the Marschallin, is one of those glamorous soprano roles, sung by the likes of Renee Fleming. At Glyndebourne, it was filled fetchingly by Kate Royal. The lover, Octavian, is a pants role in which a mezzo has to pretend to be a handsome youth. Erraught, who apparently sang gloriously, is a woman with a classic pear shape, which neither lends itself to pants nor suggests slim-hipped James Deans. And the (male) critics let her have it, signaling out her “puppy fat.”

Corinna da Fonseca-Wollheim’s analysis got to the heart of the problem for those critics...