There they were, the first family of the United States, gussied up — with one tennis-ball green exception — in basic black, clashing with the red, white and blue backdrop and looking for all the world like a group ready for a New York cocktail party to which they’d never be invited. There’s a metaphor or two in there somewhere.
A poster to a New York Times article said they looked like a contemporary Addams Family, minus the kindness and the humor. Like Eugene O’Neill’s Electra (more on her in a bit), mourning becomes them.
Read more…
Read More