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Jared Leto, the inside man

How great was it to see Jared Leto – who left Hollywood to front a band – win the Best Supporting Oscar for his role as a transgender prostitute in “Dallas Buyers Club”? (Actually, the win was sort of a no-brainer. Hollywood loves to reward actors who transform themselves and stories that have their hearts in the right place.)

Leto seems to have his in the right place, too. Of course, there was plenty of Internet snark about his acceptance speech, in which he told the “dreamers” in Ukraine and Venezuela that we were thinking of them. (Apparently, actors aren’t allowed to be human.) I came late to his speech, but I’m glad I caught the end: "This is for the 36 million people out there who have lost the battle to AIDS.” He concluded, “To those of you who have felt injustice because of who you love and who you are, I stand here with you and for you.”’

As he left the stage, host Ellen DeGeneres shook her head and said, “Beautiful.”’

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Jared Leto and the bridge of the imagination

If you were to ask me – a woman who considers herself to be a great connoisseur of beautiful men – who is the most beautiful man I’ve ever seen, I’d have to say Jared Leto. He is it for me (though Johnny Depp is a close second.) I’m not talking beauty plus brains, personality, character or anything else but just sheer physical beauty. It’s no wonder that Oliver Stone cast him as Hephaestion – the love of Alexander the Great’s life – in “Alexander.”

So naturally, I was delighted to see Leto as the frontrunner for the Best Supporting Actor Oscar March 2 for his role as a transgender prostitute in “Dallas Buyers Club.” And just as distressed to see a fatuous Time magazine piece titled “Don’t Applaud Jared Leto’s Transgender ‘Mammy’,” in which Steve Friess likens Leto’s gender portrayal to the racial cliché of Hattie McDaniel’s Mammy in “Gone With The Wind.”

There are so many misguided ideas in this article that it isn’t even funny.

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