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The transgendered nature of art

Bruce Jenner’s transition to womanhood and the profile of transgendered model Andreja Pejić in May Vogue have got me thinking about the transgendered nature of art.

Consider Thomas Hardy – whose “Far From the Madding Crowd” has been made into a new film starring Carey Mulligan, the sensual Matthias Schoenaerts and the estimable Michael Sheen. For him to create some of fiction’s greatest romantic heroines, and heroes, he had to understand a woman’s mind and heart as well as that of a man. For George Balanchine to create some of ballet’s finest works, he had to know a woman’s body as intimately as a man’s.

Art has also long been preoccupied with hermaphroditism – the condition of having the physical attributes of both sexes. In ancient Greek mythology, Hermaphroditus – son of Hermes, the messenger god, and Aphrodite, goddess of love and beauty – was a beautiful youth beloved by the water nymph Salmacis, who embraced him against his will in her pool and prayed that the two would become one. ...

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The Rock rolls in “Hercules”

"I like the gods,” my friend novelist and movie blogger Barbara Nachman says as we exit the new “Hercules,” starring Dwayne Johnson, aka The Rock, in the title role.

I do, too. The Greek gods were among my childhood companions, offering thrilling stories and transcendence without the guilt trip of modern religion. (A well-known classicist, who shall remain nameless here, once told me she would take the Greek gods over the Abrahamic one any day of the week and twice on Sundays, so to speak.)

This being the age of post-modernism, the gods are nowhere to be found in the new “Hercules,” and that’s too bad, because they’re such an entertaining lot and because the ancient Greeks believed in them – or at least the stories they could spin off of them – so passionately. (Certainly, the Greco-Macedonian conqueror Alexander the Great did. He saw Hercules – Heracles in Greek, Hercules in Latin – as one of his paternal ancestors.)

Making a movie about an ancient Greek legend when you imply that the legend is really part PR campaign, part empowerment exercise, well, it doesn’t quite cut it, does it?

Otherwise, the new “Herc” is a not-bad movie that fits...

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