The Fresno Bee columnist Victor Davis Hanson has written a column comparing President Donald J. Trump’s slash-and-burn style with the Greco-Macedonian conqueror of the Persian Empire, Alexander the Great, cutting the Gordion knot impatiently with his sword, thus ensuring the prophecy that whoever did so would become lord of Asia.
Hanson’s gotten some bristling responses from history buffs, and my first thought was to lend my voice to the chorus, being rather protective of Alexander myself. More than anything I wanted to say: “I knew Alexander. Alexander was a friend of mine. Trump, you’re no Alexander.” But the more I thought about it, the more I realized that the issue is deeper than Hanson and his critics might’ve realized. ...
Read more
Read MoreAt Christmastide, I like to share one of my traditions, which is a reading of a selection from John Milton’s “Hymn on the Morning of Christ’s Nativity.” As a classical Christian – I know, an oxymoron – I’m always struck by how the advent of Christianity sounded a death knell for Greco-Roman culture. But then, someone’s sunrise is always someone else’s sunset.
Yet Greco-Roman culture – with its sensual tales of gods and heroes, its dramas on the terrible wonder of the human condition, its emphasis on the body in all its brutal beauty – never died. (It’s a theme of Gore Vidal’s 1964 novel “Julian,” about the post-Christian Roman emperor who attempted to reinstall the Greco-Roman pantheon.) The Greeks would instead resurface in the Renaissance and at the turn of the 19th century. ...
Read more
Read MoreAt Christmastide, I like to share one of my traditions, which is a reading of a selection from John Milton’s “Hymn on the Morning of Christ’s Nativity.” As a classical Christian – I know, an oxymoron – I’m always struck by how the advent of Christianity sounded a death knell for Greco-Roman culture. But then, someone’s sunrise is always someone else’s sunset.
Yet Greco-Roman culture – with its sensual tales of gods and heroes, its dramas on the terrible wonder of the human condition, its emphasis on the body in all its brutal beauty – never died. (It’s a theme of Gore Vidal’s 1964 novel “Julian,” about the post-Christian Roman emperor who attempted to reinstall the Greco-Roman pantheon.) The Greeks would instead resurface in the Renaissance and at the turn of the 19th century. ...
Read more
Read More