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When Donnie called Vladdie

Just when you thought you could take a break from the greatest love affair of the 21st century – which is actually sort of like one of those horror movies in which the dead guy’s hand keeps rising up out of the grave – it’s back and hotter than ever.

No sooner had Vladimir Putin – alias “Vlad the Lad Rootin’ Tootin’” Putin – won another six-year term as Russian president, an outcome that was never in doubt, then President Donald J. Trump, alias “Donnie Two Scoops,” was on the horn to congratulate him. ...

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When Donnie met Vladdie (And Manny reunited with Justy)

Smit-ten.

That was the mutual word. Donnie said it was an “honor” to meet Vladdie. Vladdie, looking out from under shy eyes – or should that be sly eyes? – kept calling Donnie “Mr. President.” It must’ve been like the moment Mark Anthony reunited with Cleopatra on her barge. For so long the meeting had been a foregone conclusion. Now, here it was at last.

They shook hands. They leaned in. The chemistry was described as “warm.” (Try hot.) And when Melania tried to break up the meet to keep her hubby on track, she was – what a surprise – ignored. Oh, Melania, will you become like the embittered Michelle Williams character in “Brokeback Mountain”? Is there a Slovenian word for “triangle”? ...

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He just can’t quit him: Trump, Putin and ‘Brokeback Mountain’

A shout-out to Frank Bruni of The New York Times for a truly terrific column about President Donald J. Trump and Vladimir Putin and the bromance of the century (although French President Emmanuel Macron and Canadian Prime Minister Justin Trudeau may yet give them a run for their money).

Brilliant though the column is in comparing Pump (Putin-Trump) to the great love stories (“Romeo and Juliet,” “Casablanca”), Bruni missed one, “Brokeback Mountain.” When the haunting movie of Annie Proulx’s sparely beautiful story came out in 2005, much was made of the gay love story. ...

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Vladdie and The Donald: A fine bromance

As a writer of homoerotic fiction, I consider myself a collector and connoisseur of male/male romances. I began with the ancient Greeks, who practically invented homoerotic relationships – all those youths beloved by Apollo, whose depiction reached an apotheosis in the paintings of neoclassical Paris (see Abigail Solomon-Godeau’s provocative book “Male Trouble”); and the relationships of Alexander the Great with his right-hand man, Hephaestion, and eunuch Bagoas, portrayed so movingly in Mary Renault’s “Fire From Heaven” and “The Persian Boy,” respectively.

Then there’s Marguerite Yourcenar’s “Memoirs of Hadrian,” a model for all aspiring historical fiction writers, which tells the story of the titular Greek-loving Roman emperor and his love for the tragic Greek youth Antinous.

Moving on to our own (mostly) gay-friendly, postfeminist time, there’s Gus Van Sant’s ingenious “My Own Private Idaho,” based on “Henry IV,” and Annie Proulx’s hauntingly spare novella “Brokeback Mountain,” made into an equally worthy film by Ang Lee. ...

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The shirt off his back (we wish): Mr. Darcy’s singular garment is coming to America

At a time when the news – foreign and domestic – seems so terrible, here’s something to gladden the heart of many a lady (and more than a few gentleman):

Mr. Darcy’s shirt is coming to America

Yes, the shirt that is for women what the wet T-shirt contest is for men will be part of “Will & Jane: Shakespeare, Austen, and the Cult of Celebrity,” an exhibit opening in August at the Folger Shakespeare Library in Washington D.C. (And, I need not add, we are so there.) The show will feature the shirt – one of several  used, given the need for a fresh one for each take – that Colin Firth wore as Mr. Darcy in a key scene in the 1995 smash BBC miniseries of Jane Austen’s “Pride and Prejudice.” ...

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Interlude with the vampire, part 2

Recently, Anne Rice announced that she was returning to her most iconic character, the  vampire Lestat, with the Oct. 28 publication of “Prince Lestat,” which thrilled me no end.

“Prince Lestat” would immediately follow the events of “The Queen of the Damned,” the third, and I think, the most sensuous book in “The Vampire Chronicles.” It is for me also the most homoerotic of the series, although I think Rice would say these books are instead vampire-erotic since her vampires cannot have sex. Whatever. The point is that in Rice’s work, bloodlust is a metaphor for lust, just as the relationship of the fun-loving Lestat and the depressive (and at times depressing) Louis – as well as that of Daniel, the interviewer in “Interview With the Vampire,” and the vampire Armand – is a metaphor for a gay relationship.

Looking back on it, I realize that these books paved the way for my own foray into homoeroticism with “The Games Men Play” series.

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Jared Leto and the bridge of the imagination

If you were to ask me – a woman who considers herself to be a great connoisseur of beautiful men – who is the most beautiful man I’ve ever seen, I’d have to say Jared Leto. He is it for me (though Johnny Depp is a close second.) I’m not talking beauty plus brains, personality, character or anything else but just sheer physical beauty. It’s no wonder that Oliver Stone cast him as Hephaestion – the love of Alexander the Great’s life – in “Alexander.”

So naturally, I was delighted to see Leto as the frontrunner for the Best Supporting Actor Oscar March 2 for his role as a transgender prostitute in “Dallas Buyers Club.” And just as distressed to see a fatuous Time magazine piece titled “Don’t Applaud Jared Leto’s Transgender ‘Mammy’,” in which Steve Friess likens Leto’s gender portrayal to the racial cliché of Hattie McDaniel’s Mammy in “Gone With The Wind.”

There are so many misguided ideas in this article that it isn’t even funny.

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