The Fresno Bee columnist Victor Davis Hanson has written a column comparing President Donald J. Trump’s slash-and-burn style with the Greco-Macedonian conqueror of the Persian Empire, Alexander the Great, cutting the Gordion knot impatiently with his sword, thus ensuring the prophecy that whoever did so would become lord of Asia.
Hanson’s gotten some bristling responses from history buffs, and my first thought was to lend my voice to the chorus, being rather protective of Alexander myself. More than anything I wanted to say: “I knew Alexander. Alexander was a friend of mine. Trump, you’re no Alexander.” But the more I thought about it, the more I realized that the issue is deeper than Hanson and his critics might’ve realized. ...
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Read MoreOne of my – and my family’s – Christmas gifts to myself was a trip to “Power and Pathos: Bronze Sculpture of the Hellenistic World,” which is at the National Gallery of Art through March 20.
For me, an amateur classicist whose love of Greco-Roman culture threads all of my writing, “Power and Pathos” in Washington was something of a Holy Grail. It originated at the J. Paul Getty Museum in Los Angeles – one of two big shows on the ancient Greeks to appear this year, the other being “The Body Beautiful in Ancient Greece” at the British Museum.
But neither London nor Los Angeles was in my game plan and when my annual Christmas trip to Washington arrived, so did my moment.
That moment didn’t disappoint, for no sooner did my photographing nephew and I enter the exhibit than we encountered “Alexander the Great on Horseback,” a small first century B.C. silver-inlaid bronze replica of the bronze original by Lysippos, the only artist allowed to capture Alexander’s likeness besides the painter Apelles and the gem-carver Pyrgoteles. The backdrop for this equestrian statue is a reproduced portion of “The Alexander Mosaic” (circa 100 B.C.), depicting the Greco-Macedonian conqueror’s defeat of the Persian emperor Darius III at the Battle of Issus. (Both works are in the Museo Archeologico Nazionale in Naples.) ...
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Read MoreWith the appearance of American Pharoah in Vogue, the magazine considers the relationship of “Horse and Rider” in the inaugural exhibit of the online Vogue’s Gallery, a subject that dates from ancient times and that may see a resurgence with the Pharoah’s success.
Among my favorite horse-and-rider works are those involving Alexander the Great and his faithful steed Bucephalus – or “Ox-head,” for the white, ox-shaped marking on his forehead -- whom he tamed when he was just a boy. (Alexander noticed that the big, black stallion was afraid of his shadow and so turned his head toward the sun so he couldn’t see it. The story sounds like a legend, but many historians agree that it’s probably true. Bucephalus and Alexander were a team for many years until the horse died at age 26 in modern-day Pakistan, where he is said to be buried in a town named for him.) ...
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