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'A Complete Unknown' and the vagaries of being a cultural symbol

Last night, I saw “A Complete Unknown,” based on Elijah Wald’s book “Dylan Goes Electric!: Newport, Seeger, Dylan and the Night That Split the Sixties,” and I found myself haunted not just by the music and the excellent evocation of Bob Dylan —from his 1961 arrival in Greenwich Village as a gifted but vulnerable folk music newbie to his imposition of rock’n’roll on the 1965 Newport Folk Festival as its legendary, disruptive closing act. — but by an idea.

And that idea, beautifully embodied in the film by Timothée Chalamet, is this: Why Dylan? Why not somebody else, or, for that matter, anybody else?

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The only 'ism' that matters in Trump world

As I’ve written many times on this blog — too many times but it bares repeating — there is much discussion of various “isms” when it comes to President Donald J. Trump, from communism to socialism, racism and sexism. But the only “ism” that matters is narcissism, and the failure to understand this prevents us from having any hope to dealing with him effectively.

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Pawns to queens in a game of love and death

These are not the best of times to be a woman, to say nothing of any minority. The rise of bro culture and misogynistic incel culture, which helped propel President Donald J. Trump back into the White House; the demise of Diversity, Equity and Inclusion (DEI) in government and much of the workplace; and the curtailing of reproductive rights are among the challenges that have led women to consider the backlash to their hard-won gains.

Perhaps that’s why I found the marvelously mocking Broadway musical “Six” so moving. It’s the story of a sextet of queen consorts who for most of their history were famous, even infamous, for their marriages to an orange, scowling, bloated, diseased malignant narcissist — Henry VIII. As “Six” explores with delicious irony, Henry — no Alexander the Great in the leadership department — is today mostly famous for having been married to them.

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King to pawn in Trump's cultural gambits

Fresh from his blitzkrieg of directives, President Donald J. Trump took a break to attend Super Bowl LIX, leaving the rest of us to consider what the past three weeks have meant.

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Losing my voice to find it in the Trump era

How are we to respond to the times in which we find ourselves? Should we retreat, understanding that they are beyond our control? Or should we, knowing they are beyond our control, respond Stoically — with courage and calm, understanding, in the words of Rev. Sydney Smith, that “it is the greatest of all mistakes to do nothing, because you could only do a little.”

As I pondered this over the Christmas break and into January — the so-called “wellness month” — I got very sick and lost my voice, an apt metaphor for losing the inner voice that has always been my North Star.

In the end, I concluded that reticence — even when you cannot physically “speak” — is a kind of cowardice, and that it is incumbent upon us all to speak out.

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A second Trump presidency -- the Jimmy Carter antithesis

Former President Jimmy Carter was buried on the day (Thursday, Jan. 9) that the United States Supreme Court refused to stay President-elect Donald J. Trump’s sentencing in his hush-money conviction.

Let that sink in. Here was on the one hand a humanitarian and on the other a man whose compassion for the Los Angeles wildfires was crystallized by his calling rival Gov. Gavin Newsom “Newscum.”

And yet, there are plenty of Americans who think Carter, though a great humanitarian, was a poor president, and many Americans who can’t wait to see Trump back in power on Monday, Jan. 20, which is coincidentally Martin Luther King Jr. Day as well as Inauguration Day.

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